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Signature. Paul Cézanne ( / seɪˈzæn / say-ZAN, UK also / sɪˈzæn / siz-AN, US also / seɪˈzɑːn / say-ZAHN, [1] [2] French: [pɔl sezan]; 19 January 1839 – 22 October 1906) was a French Post-Impressionist painter whose work introduced new modes of representation and influenced avant-garde artistic movements of the early 20th century.
Paul Cézanne “The painter gives concrete expression to his sensations , his perceptions, by means of line and color,” 1 Paul Cézanne wrote to the younger artist Émile Bernard. Throughout his decades-long career, he dedicated himself to this task, continuously experimenting with his materials and techniques in an effort to record his sensations on paper and canvas.
15 de may. de 2024 · Paul Cézanne was a French painter, one of the greatest of the Post-Impressionists, whose works and ideas were influential in the aesthetic development of many 20th-century artists and art movements, especially Cubism. Cézanne’s art, misunderstood and discredited by the public during most of his life, eventually challenged all the conventional values of painting in the 19th century.
One of the most influential artists in the history of modern painting, Paul Cézanne (1839–1906) has inspired generations of artists. Generally categorized as a Post-Impressionist, his unique method of building form with color and his analytical approach to nature influenced the art of Cubists, Fauves, and successive generations of avant-garde artists.
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Paul Cézanne (19. ledna 1839 Aix-en-Provence – 22. října 1906 Aix-en-Provence) byl francouzský malíř, často nazývaný „otec moderního umění“. Snažil se dosáhnout syntézy realistického zobrazení, osobního výrazu a abstraktního obrazového řádu.
Paul Cézanne was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically different world of art in the 20th century. Cézanne is said to have formed the bridge between late 19th-century Impressionism and the early 20th century ...
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