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Thomas Gainsborough. Gainsborough nació en Sudbury, Suffolk, en 1727. Desde temprana edad mostró grandes habilidades artísticas, por lo que a los trece años fue enviado a estudiar a Londres con el pintor y grabador francés Hubert François Gravelot, quien había sido discípulo del gran pintor francés Antoine Watteau.
托馬斯·庚斯博羅（英語：Thomas Gainsborough，1727年5月14日（受洗日）-1788年8月2日）是一位英國 肖像畫及風景畫家。 他是皇家藝術研究院的創始人之一，曾為英國皇室繪製過許多作品，並與競爭對手約書亞·雷諾茲同為18世紀末期英國著名肖像畫家。
Gainsborough, Thomas. Sudbury (Reino Unido), 1727 - Londres, 1788. Pintor y grabador británico. Es, junto a Joshua Reynolds, el retratista más importante y uno de los intérpretes más destacados del paisaje de la pintura inglesa. Nace en el seno de una familia de comerciantes y en 1740 es enviado por su padre a Londres.
14 de ago. de 2020 · He died on Antigua in 1779. In c.1784 Gainsborough painted The Baillie Family, which was bequeathed to the Gallery by Alexander Baillie in 1857, and is now in Tate (N00789). In 1768 Gainsborough painted a portrait of writer Ignatius Sancho (National Gallery of Canada, Ottawa), when he was employed as a valet by George Brudenell, the Duke of ...
Biografia. Thomas Gainsborough nacque a Sudbury, nel Suffolk, il 14 maggio 1727.Figlio del mercante di tessuti John, e di Mary, sorella del reverendo Humphrey Burroughs, nonché fratello del ministro, inventore ed ingegnere Humphrey Gainsborough trascorse la fanciullezza insieme ai fratelli John e Humphrey in quella che oggi è la Gainsborough's House: già dai primi anni respirò un'atmosfera ...
Thomas Gainsborough (baptized May 14, 1727, Sudbury, Suffolk, Eng.—died August 2, 1788, London) was a portrait and landscape painter, the most versatile English painter of the 18th century. Some of his early portraits show the sitters grouped in a landscape ( Mr. and Mrs. Andrews, c. 1750). As he became famous and his sitters fashionable, he ...
Thomas Gainsborough died of cancer on August 2, 1788, at the age of 61. While on his deathbed he reconciled with Reynolds, his longtime rival. In a letter to him, the artist expressed his admiration and respect for the painter and his work. After his death, Reynolds wrote that the Royal Academy has lost ‘one of its greatest ornaments’.
