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Signature. Henri Cartier-Bresson ( French: [kaʁtje bʁɛsɔ̃]; 22 August 1908 – 3 August 2004) was a French artist and humanist photographer considered a master of candid photography, and an early user of 35mm film. [1] He pioneered the genre of street photography, and viewed photography as capturing a decisive moment.
Henri Cartier-Bresson, photographe, né en 1908, est l’œil d’un siècle. Raconter sa vie décrypter son œuvre, c’est d’abord écrire l’histoire d’un regard. En déambulant dans son siècle, le regard de ce promeneur lucide a saisi la fascination de l’Afrique des années 1920, croisé les destins tragiques des républicains ...
Henri Cartier-Bresson (French: [kaʁtje bʁɛsɔ̃]; 22 August 1908 – 3 August 2004) was a French artist and humanist photographer considered a master of candid photography, and an early user of 35mm film. He pioneered the genre of street photography, and viewed photography as capturing a decisive moment.
To tell Henri Cartier-Bresson’s story and to unravel his work is essentially to tell the story of a look. Throughout the 20th century, this roaming, lucid eye has captured the fascination of Africa in the 1920’s, crossed the tragic fortunes of Spanish republicans, accompanied the liberation of Paris, caught a weary Gandhi just hours before his assassination, and witnessed the victory of ...
Mercredi 26 juin à 19h « Les livres demeurent » disait Henri Cartier-Bresson. Publié en 1952, Images à la Sauvette est très rapidement devenu une référence dans le domaine de la…. Créée selon la volonté d’Henri Cartier-Bresson, de son épouse Martine Franck en 2003, la Fondation est l’un des hauts lieux parisiens de la ...
Henri Cartier-Bresson ( Chanteloup-en-Brie, 22 agosto 1908 – Montjustin, 3 agosto 2004 [1]) è stato un fotografo francese, considerato un pioniere del fotogiornalismo, tanto da meritare l'appellativo di "occhio del secolo". Teorico dell'istante decisivo in fotografia, ha anche contribuito a portare la fotografia di stampo surrealista ...
Henri Cartier-Bresson was a French photographer whose humane, spontaneous photographs helped establish photojournalism as an art form. His theory that photography can capture the meaning beneath outward appearance in instants of extraordinary clarity is perhaps best expressed in his book Images à
