Resultado de búsqueda
Édouard Manet—the eldest son of an official in the French Ministry of Justice—had early hopes of becoming a naval officer. After twice failing the training school’s entrance exam, the teenager instead went to Paris to pursue a career in the arts. There he studied with Thomas Couture and diligently copied works at the Musée du Louvre.
Édouard Manet ( Parigi, 23 gennaio 1832 – Parigi, 30 aprile 1883) è stato un pittore francese, uno dei primi artisti del XIX secolo a dipingere la vita moderna, fu considerato il maggiore interprete della pittura pre- impressionista e fondamentale nella transizione dal realismo . Nato in una famiglia dell'alta borghesia francese con forti ...
Édouard Manet (n. 23 ianuarie 1832, Paris, Île-de-France, Franța – d. 30 aprilie 1883, Paris, Île-de-France, Franța) a fost un pictor francez, precursor al impresionismului. Plecând de la izvorul tradițiilor marilor maeștri, Manet a fost în măsură să lege sugestiile vremurilor vechi cu elementele moderne, fapt pentru care i s-a ...
エドゥアール・マネ （ フランス語: Édouard Manet, 1832年 1月23日 - 1883年 4月30日 ）は、 19世紀 の フランス の 画家 。. 近代化する パリ の情景や人物を、伝統的な絵画の約束事にとらわれずに描き出し、絵画の革新の担い手となった。. 特に1860年代に発表した ...
28 de may. de 2018 · Né à Paris en 1832 dans un milieu bourgeois, Édouard Manet échappe à une carrière de marin pour embrasser la vie d’artiste. Il fait ses classes dans l’atelier de Thomas Couture, portraitiste et peintre d’histoire. Refusé à l’École des beaux-arts, le jeune artiste débute tout de même au Salon avec des toiles inspirées du ...
Édouard Manet was a French modernist painter. He was one of the first 19th-century artists to paint modern life, and a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the future originally envisioned for him, and became engrossed in the world ...
3 de may. de 2024 · Édouard Manet (born January 23, 1832, Paris, France—died April 30, 1883, Paris) was a French painter who broke new ground by defying traditional techniques of representation and by choosing subjects from the events and circumstances of his own time. His Le Déjeuner sur l’herbe ( Luncheon on the Grass ), exhibited in 1863 at the Salon des ...
