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During the 1960s the Gwynnes' son, Patrick, refined the design of the garden, removing trees, planting more azaleas and rhododendrons, laying out heather beds, and excavating the main pond and water gardens. Patrick's vision . Patrick Gwynne conceived The Homewood's expansive surrounds as ‘a woodland garden, not a park’.
Open: pre-booked tours on summer Saturdays. Reopening April 2022. Arrive 10 at Clandon Park carpark, 10 minutes before your booked slot. Tours take about 45 minutes. There are no toilets or refreshments at The Homewood, make sure you use the loo at Clandon Park before getting on the minibus.
3 de ago. de 2021 · The Homewood, a paean to Modernist style and living, was designed by Patrick Gwynne (1913–2003) for his somewhat indulgent parents. He convinced them to demolish their large Victorian villa to make way for this individual, luxurious house of the International Style. It was completed in 1938 and is a supreme architectural tour de force.
Patrick Gwynne. York Theatre Royal, showing a distinctive and characteristic modernist addition by Gwynne, 1967. (Alban) Patrick Gwynne (1913 – 2003) was a British modernist architect with Welsh roots, best known for designing and building The Homewood, which he left to the National Trust in 2003. [1]
The Homewood is a modernist house inspired by the work of Le Corbusier and Mies van der Rohe. It was designed by the architect Patrick Gwynne for his family and completed in the early summer of 1938. Situated at the top of a gently sloping hill, the Homewood is an elevated house on pilotis or pillars. The reinforced concrete structure of the ...
13 de abr. de 2015 · The family moved into a large Victorian house in Esher in Surrey a year later, and Patrick’s younger sister Babs was born soon after. In the mid 1930s it was all change for the Gwynne family. It’s important to understand that they were extremely sociable and were very well to do; at a time when most families didn’t have a car at all, the Gywnne family had four – a car each!
Working from The Homewood, where he lived from 1942 until the end of his life, he soon began to receive commissions for private houses from distinguished and wealthy clients. Throughout the 1950s and 60s, he designed a number of houses in Hampstead and Blackheath in London, and in Surrey, Oxfordshire and Dorset, many of which have been Grade II listed.
