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1 de dic. de 2020 · Tamara de Lempicka pintando “Susana en el baño” (1938). En crfashionbook.com . Tamara de Lempicka no siempre fue una artista reconocida. Durante su juventud y parte de su madurez, sus pinturas alcanzaron un gran reconocimiento; de hecho, fue una de las pocas mujeres que consiguió vivir de su trabajo como artista.
Tamara Łempicka, better known as Tamara de Lempicka, was a Polish painter who spent her working life in France and the United States. She is best known for her polished Art Deco portraits of aristocrats and the wealthy, and for her highly stylized paintings of nudes. Born in Warsaw, Lempicka briefly moved to Saint Petersburg where she married ...
Summary of Tamara de Lempicka. Tamara de Lempicka was the lone traditional easel painter in the entirety of the Art Deco style. Her sources of inspiration ranged dramatically: she adored Italian Renaissance painting; she was characterized by critics as a sort of modern-day Ingres, although the comparisons were more often not intended to flatter; she absorbed the avant garde art of the era ...
14 de abr. de 2024 · Tamara de Lempicka was a 20th-century artist who created a unique painting style, often called ‘stylized cubism,’ who is perhaps best known for depicting the ideal woman of the 1920s: elegant, independent, modern, and sexually liberated.
18 de mar. de 2021 · Hace 41 años que la reina del art déco nos dejó. Tamara de Lempicka es un personaje en sí mismo, que se permitió lujos, excesos, y ha pasado a la historia tanto por su arte como por su personalidad. En la historia del arte, la pintura art déco, con su lujo y modernidad, tiene un nombre de mujer, Tamara de Lempicka, que hoy 18 de marzo ...
Tamara de Lempicka, či Tamara Łempicka (16. května 1898 Varšava, Kongresové Polsko, někdy uváděno i Petrohrad a jméno Tamara Gorska – 18. března 1980 Cuernavaca, Mexiko), rodným jménem Maria Rozalia Gurwik-Górska, byla polská malířka, od roku 1919 tvořící ve Francii ve stylu art deco.
Tamara de Lempicka was the lone traditional easel painter in the entirety of the Art Deco style. Her sources of inspiration ranged dramatically: she adored Italian Renaissance painting; she was characterized by critics as a sort of modern-day Ingres, although the comparisons were more often not intended to flatter; she absorbed the avant-garde art of the era - particularly post-cubist ...
