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  1. The Worst Person In The World. Julie is turning thirty, her life is an existential mess and her older boyfriend, Aksel is pushing for them to settle down. One night she gatecrashes a party and meets the young and charming Eivind. She then breaks up with Aksel and throws herself into a new relationship, hoping for a new perspective on her life.

  2. 7 de feb. de 2022 · At an art-world cocktail party, Julie, who’s now in her late twenties, meets Aksel (Anders Danielsen Lie), a prominent graphic-novel author in his forties, and they quickly begin a relationship.

  3. 26 de mar. de 2022 · The Worst Person in the World’ demonstrates the importance of making mistakes in life. Not everyone has everything figured out by the time they turn 30. It often takes a life-altering event to find a sense of self-worth. For Julie, it seems that Aksel’s death and the miscarriage play that role in her life.

  4. About this movie. Julie is turning thirty and her life is an existential mess. She is struggling to find her career path and her older boyfriend, Aksel, is pushing for them to settle down. One night she crashes a party and meets the young and charming Eivind. Soon she has broken up with Aksel and thrown herself into yet another new relationship.

  5. That's why it's so hard." The Worst Person in the World is a 2021 Norwegian romantic dramedy directed by Joachim Trier, the third film in his spiritual "Oslo Trilogy" after Reprise and Oslo, August 31st. It made its premiere at Cannes on July 7, 2021. Told in twelve chapters, as well as a prologue and epilogue, the story follows Julie (Reanate ...

  6. 12 de feb. de 2022 · It’s this lack of judgement that makes The Worst Person In The World so fresh and invigorating. Julie leaves Aksel for Eivind, is occasionally cruel to the latter and resumes a friendship with the former, but Trier never draws a line from these relationships to the equally dysfunctional one she has with her father.

  7. 4 de feb. de 2022 · Advertisement. Each chapter in “The Worst Person in the World” feels like a complete, unique thought encapsulating something real in unrealistic visual terms—like the tracks on an eclectic album, which even if they vary in tone comprise a cohesive whole. With Tuxen and editor Olivier Bugge Coutté embellishing the playfulness of the ...

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