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CARTESIUS: Episode 1. 1:28:10. A founder of Italian neorealism, Roberto Rossellini brought to filmmaking a documentary-like authenticity and philosophical stringency that changed the course of film history. Rossellini broke out with ROME OPEN CITY, a shattering and vivid chronicle of the Nazi occupation of Italy’s capital, followed by PAISAN ...
15 de nov. de 2006 · Film series. Nov 15–Dec 22, 2006. Roberto Rossellini (b. Italy, 1906–1977) is a key artist of the mid-twentieth century whose contribution to cinema—particularly in his stunning adaptations of Neorealist strategies (Rome Open City [1945], Paisan [1946])—is inestimable and whose influence on other directors, such as Jean-Luc Godard and Martin Scorsese, is profound.
Roberto Rossellini Cineasta italiano Roberto Rossellini nació el 8 de mayo de 1906 en Roma, en el seno de una familia de industriales cinematográficos. Cursó estudios de Filosofía y Letras y se inició siendo ayudante de dirección de F. de Robertis. Su obra se caracteriza por la ficción realista y la película didáctica.
22 de abr. de 2024 · Italian filmmaker Roberto Rossellini caused scandal in both his life and work; his filmmaking was unorthodox and experimental; his interests adventurous and multifaceted. ‘Il miracolo’, from his two-story anthology film L’amore (1948), was denounced as blasphemous and banned in the US before the ban was overturned by the US Supreme Court.
Roberto Rossellini. Některá data mohou pocházet z datové položky. Roberto Rossellini [Roselíny] ( 8. května 1906 – 3. června 1977 ), byl italský filmový režisér a scenárista, představitel italského filmového neorealismu. Jeho filmy se zabývají válečnou a sociální tematikou. Jeho manželkou byla Ingrid Bergmanová .
Roberto Rossellini (1906 - 1977) fue un director y guionista de Italia conocido por Roma, ciudad abierta, Alemania, año cero, Stromboli, tierra de Dios, Te querré siempre, Europa '51, Paisà (Camarada), El general de la Rovere, Francisco, juglar de Dios, El amor y Ya no creo en el amor
13 de may. de 2019 · Rossellini. Rossellini is one half of the Truffaut/Godard of Italian Neorealism movement with De Sica and I’m not sure there’s a Bicycle Thieves without Rossellini. Rossellini is the Godfather and unofficial founder of Italian neo-realism (though realism has always been a part of cinema with expressionism). Visconti has some claim to that as well with Ossessione but if I had to put one ...
