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18 de dic. de 1998 · This multimedia exhibition takes its title and cue from a creature described in a short story by Franz Kafka and represented in a picture by Jeff Wall. Kafka describes the Odradek as an exceptionally mobile creature that refuses to be caught; a fugitive form with no apparent purpose that lives in familiar domestic spaces and does no obvious harm to anyone.
Morning Cleaning / Odradek Del 21 de junio al 31 de julio de 1999, la Fundació Mies van der Rohe invitó al artista canadiense Jeff Wall a presentar una obra site-specific. Su proyecto se basaba en la tradición cultural centroeuropea, ya que ha tomado un relato de Franz Kafka «Los cuidados de un padre de familia» como inspiración para su intervención.
Jeff Wall opened my eyes / Jean-Christophe Ammann; Jeff Wall : figures & places / Rolf Lauter; The adventure of a photographer / Italo Calvino; Odradek, Táboritská 8, Prague, 18 July 1994 / Jean-Christophe Ammann; Photography and strategies of the avant-garde : Jeff Wall in conversation with Boris Groys
12 de nov. de 2009 · Jeff Wall's Morning Cleaning, Mies van der Rohe Foundation, Barcelona, 1999, is a cinematographic digital transparency picturing the German Pavilion designed by Mies for ... 9 Jeff Wall, Odradek, T a
Natürlich würde sich niemand mit solchen Studien beschäftigen, wenn es nicht wirklich ein Wesen gäbe, das Odradek heißt. Es sieht zunächst aus wie eine flache, sternartige Zwirnspule, und tatsächlich scheint es auch mit Zwirn bezogen; allerdings dürften es nur abgerissene, alte, aneinandergeknotete, aber auch ineinanderverfilzte Zwirnstücke von verschiedenster Art und Farbe sein.
‘Morning Cleaning, Mies van der Rohe Foundation, Barcelona’, Jeff Wall, 1999. Skip navigation. Shop. Become a Member. Main menu. Art and artists. Our collection ...
While creating a large-scale transparency from a story by Kafka, Odradek, Táboritská 8, Prague, 18 July 1994, the artist Jeff Wall in his text ‘Gestus’ (1984) draws on Brecht's concept of gestus, which was concerned with freezing the action into a tableau vivant in order to cause the audience to reflect on the characters' and their own positions in economic and social relations.
