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  1. The curtain I have drawn for you, but I) And seemed as they would ask me, if they durst, How such a glance came there; so, not the first. Are you to turn and ask thus. Sir, 't was not. Her husband's presence only, called that spot. Of joy into the Duchess' cheek: perhaps. Frà Pandolf chanced to say, 'Her mantle laps.

  2. By Robert Browning. The rain set early in to-night, The sullen wind was soon awake, It tore the elm-tops down for spite, And did its worst to vex the lake: I listened with heart fit to break. When glided in Porphyria; straight. She shut the cold out and the storm, And kneeled and made the cheerless grate.

  3. 2. Browning’s monologue might also be considered an ekphrastic poem, a poem inspired by or describing art. Visit a museum or art gallery, and choose a painting, sculpture, or video installation to study. Then write your own ekphrastic poem, assuming the voice of the artist who made it. For some examples of poems about paintings, see:

  4. Lust of glory pricked their hearts up, dread of shame. Struck them tame; And that glory and that shame alike, the gold. Bought and sold. Now—the single little turret that remains. On the plains, By the caper overrooted, by the gourd. Overscored, While the patching houseleek's head of blossom winks.

  5. Rabbi Ben Ezra. By Robert Browning. Grow old along with me! The best is yet to be, The last of life, for which the first was made: Our times are in His hand. Who saith "A whole I planned, Youth shows but half; trust God: see all, nor be afraid!''. Not that, amassing flowers,

  6. By Robert Browning. FERRARA. That’s my last Duchess painted on the wall, Looking as if she were alive. I call. That piece a wonder, now; Fra Pandolf’s hands. Worked busily a day, and there she stands. Will’t please you sit and look at her? I said.

  7. Although playwright and poet Robert Browning was slow to receive acclaim for his work, his later work earned him renown and respect in his career, and the techniques he developed through his dramatic monologues—especially his use of diction, rhythm, and symbol—are regarded as his most important contribution to poetry, influencing such major poets of the twentieth century as Ezra Pound, T ...