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16 de ene. de 2017 · Bach - Mass in B Minor. Recorded 12-16 January 2017. Released March 2018. SUNDAY TIMES RECORDING OF THE WEEK. “The mixed young-adult choir – sounding wonderfully fresh and athletic…. Highly recommended.”. – The Sunday Times. Recorded in Trinity College Chapel with an outstanding cast of soloists (including three Trinity alumni) and ...
Layton makes no claims to “authenticity” with his mixed young-adult choir – sounding wonderfully fresh and athletic – and mature soloists. In any case, the composer probably never heard his choral masterpiece performed complete; indeed, he may not even have intended it for performance, but rather as a compendium of what he could achieve in liturgical music.
Choral Scholarships at Trinity College combine the singing of weekly services in the Chapel with an exciting schedule of recordings, concerts and international tours outside term. The primary duty of a Choral Scholar during term is to sing at the three services of Choral Evensong that take place each week, together with occasional special services.
The Cherubic Hymn (Glinka) Preacher. Dr Leanne Williams Green, Junior Research Fellow, Trinity College. “ It’s a sumptuous sound from the Choir of Trinity College Cambridge, directed by Stephen Layton. The high standard…guides us through not far off two centuries of Anglican tradition “. Andrew McGregor, BBC Radio 3.
Our most experienced trebles frequently perform as soloists in operas, concerts, on TV and on film soundtracks. OPERA Miles in Britten’s The Turn of the Screw is arguably the most challenging operatic role for a boy treble and we have a proud association with this opera. Our roll of honour includes providing the Miles for productions at Aldeburgh (2009, 2015), Mexico Opera (2011), Grimeborn ...
Patrick Gowers wrote his Viri Galilaei for double choir, soloists, and two organs for the consecration of Richard Harries as Bishop of Oxford at St. Paul’s Cathedral in 1987. As Professor Jeremy Dibble points out in his instructive notes (an added bonus with lots of first-rate contextual information), the choirs’ continually upward phrases culminate in the joyful sound of the trumpet.
Max Pappenheim was Organ Scholar at Trinity from 2005 to 2007, having previously been Organ Scholar of St George’s Cathedral, Perth, Western Australia and of St Catharine’s College, Cambridge, and Assistant Organist of Our Lady and the English Martyrs in Cambridge. He is now Director of Music at St Matthew’s, Bayswater and a stage ...
