Resultado de búsqueda
31 de may. de 2024 · Zu: Brusberg Dokumente 3. Max Ernst: jenseits der Malerei - Das grafische Œuvre Farblithographie auf Arches-Velin. 1972. 24,2 x 14,3 cm (32,5 x 22,1 cm). Signiert "max ernst". Spies 220 c I. Eine von zwei beigelegten Farbvarianten aus der Vorzugsausgabe, herausgegeben von der Galerie Brusberg, Hannover, gedruckt bei Pierre Chave, Vence.
Hace 7 horas · "A dramatic depiction of a battle against polyps, envisioning it as a historical scene captured in the aesthetics of early 19th century patriotic oil paintings. Then, a representation of a spiritual colonoscopy, engaging exploratory undertones common in illustrative works of 20th century American art.
Hace 7 horas · The actress Dolores Costello 1920s
Hace 7 horas · Introduction to Surrealism and Its Core PrinciplesMiró’s Early Life and InfluencesMiró’s Introduction to SurrealismSurrealist Techniques and Themes in Miró’s WorkAutomatism: Unleashing the SubconsciousBiomorphic Forms: Life from ImaginationDream Imagery: Painting the SubconsciousKey Surrealist Works by Joan Miró“The Harlequin's Carnival” (1924-25)“The Tilled Field” (1923-24 ...
Hace 7 horas · Une Semaine de Bonté: poems in response to collages by Max Ernst; Laura Kaminski's Laundry Poems; Louise Labé: translations and responses by Jean Morris; Chance: A Poetic Tarot by Luisa Igloria; Pepys Diary erasure project; Manual: absurd answers to simple questions; Poetics and technology (as seen by a bunch of bloggers)
Hace 7 horas · 754 After Ernst Dorn (1889-1927); Trees in an extensive landscape, textured colour print, in Ryedale Auctioneers After Ernst Dorn (1889-1927); Trees in an extensive landscape, textured colour print, in decorative frame, 54cm x 89cm
Hace 7 horas · His paintings contain clearly defined borders, where the ink lines mirror and echo one another as if the painting had been created from multiple folds of a piece of paper filled with ink traces. There is a similar technique in Western painting called “decalcomania,” by which engravings and prints are transferred to pottery or other materials to create the illusion of flakes.
