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14 de oct. de 2013 · Twelve sound-sensitive electronic poles dot the stage; sound is triggered by the dancers' movements and then altered or delayed by the musicians. "Variations V" predates Cunningham's...
- 59 s
- 191.9K
- Merce Cunningham Trust
Starts at 04:47A large mixed-media piece involving the use of film and also, when possible, of video images distorted by Nam June Paik. John Cage also decide...
- 47 min
- 12K
- Chloe
- Other Scripts
- Other
- See Also
Armenian
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Greek
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Hebrew
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Fraktur
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IPA
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Mathematics
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Variations V. Merce Cunningham. First composed and performed in 1965, Variations V is a true testament to 1960's experiments with "intermedia"—a coexistence and cutting across of artistic genres that profoundly informed Cunningham's choreographic practice.
Variations V, Cunningham's ambitious multi-media collaboration with John Cage, is a prime manifestation of the tremendous creative rebellion that brought film, video, pop culture appropriation, technology, performance, and avant-garde music together in one loudly active space.
Documentation created by Stan Vanderbeek of a performance of Variations V by John Cage and the Merce Cunningham Dance Company.
- 4 min
- 4K
- Zakros InterArts
Max Mathews designed the mix to control volume, tone, and distribution of sounds among the six speakers in the hall. In 1966, Norddeutscher Rundfunk Hamburg and Sveriges Radio Television produced a 50-minute film-version of Variations V, directed by Arne Arnbom. Dedicatee(s) Mary Sisler: Publication Peters Edition EP 6799
