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  1. Hace 4 días · Busby Berkeley in 1966, speaking at a tribute to his work in London, as cited in Buzz: The Life and Art of Busby Berkeley, by Jeffrey Spivak, 2011. I thought about this quote a film studies professor of mine read about Busby Berkeley as I watched the docuseries America’s Sweethearts: Dallas Cowboys Cheerleaders.

  2. Hace 2 días · Sin embargo, hay mucho más. Entre las grandes decisiones tomadas por el director, se destaca la morosidad con que muestra los rituales de iniciación. Una monja es simpática, dos monjas son inquietantes y un montón de monjas, con sus hábitos, es una experiencia visual impactante, como un cuadro coreográfico de Busby Berkeley.

  3. Hace 18 horas · And a considerable amount of screen time given to the action onstage, especially song-and-dance fantasias that develop into classic-musical set-pieces Busby Berkeley would envy. Unsurprisingly ...

  4. Hace 4 días · Busby Berkeley was the choreographer and Al Jolson her co-star. Del Río shared the female lead role with Kay Francis. But del Río and Jolson were gradually stealing the show. Del Río's character grew, while the character of Francis was reduced so she threatened several times to leave filming.

  5. Hace 2 días · Barnett's career led her to Hollywood, where she appeared in films such as Busby Berkeley's Gold Diggers of 1933 and Flying Down to Rio, starring Fred Astaire and Ginger Rogers. These breakthrough roles defied stereotypes for Black women and paved the way for singers and actresses such as Dorothy Dandridge and Lena Horne.

  6. Hace 3 días · Las escenas de baile se rodaron con cámaras para cine mudo, que permitían un movimiento más fluido, filmando así secuencias que más tarde se dijo que fueron el origen de los extravagantes números caleidoscópicos en las películas de Busby Berkeley". (Simon Louvish, Monkey Business: The Lives and Legends of the Marx Brothers). (93'; DM).

  7. Hace 1 día · Barbara Baer Capitman archives, ‘Capitman’s Cardozo Leads Way’, an article written by her son, Andrew Capitman, The Atlantic Journal, August 29, 1979. Andrew Capitman knew that restoring the Cardozo Hotel was an essential move. He wanted to recreate an environment where people could truly appreciate the hidden gem that Miami Beach was: