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The Fright of Real Tears: Krzysztof Kieślowski Between Theory and Post-Theory is a 2001 book by the Slovenian philosopher Slavoj Žižek which uses free associative film interpretation to tangentially examine the films of Polish director Krzysztof Kieślowski while avoiding the debate between cognitive film theory and psychoanalytic film theory.
Traducción del libro de Slavoj Zizek, publicado en 2001 por el British Film Institute, "The Fright of Real Tears:Krzysztof Kieslowski Between Theory and Post-Theory". La traducción se publicó por Paradiso Editores y la Universidad Iberoamericana en 2020. Aquí están la portada, hoja legal, índice y contraportada.
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1 de dic. de 1999 · Central to his argument is the liminal zone between the fictional and the real, which Kieslowski eventually crossed and never returned from. Real tears, we're led to believe, were just too fakey to satisfy him as a film maker, hence his abandonment of the documentary form for more easily manipulated aesthetics.
The Fright of Real Tears is also uniquely placed in terms of what it uses as the texts for driving home the merits of the pure Lacanian approach. The films of Krzysztof Kieslowski provide the contexts for Žižek to embark on his mission to redeem the Lacanian approach even as he endeavours to redeem the works of Kieslowski in the process.
The Fright of Real Tears: Krzysztof Kieslowski between Theory and Post-Theory
1 de mar. de 2002 · The Fright of Real Tears: Krzysztof Kieslowski Between Theory and Post-Theory. March 2002. Canadian Journal of Film Studies 11 (1):108-111. DOI: 10.3138/cjfs.11.1.108. Authors:
