Resultado de búsqueda
1 de abr. de 2012 · Xi Film Project: A Polytope for Iannis Xenakis: Directed by Stephan Talneau. With Solistenensemble Kaleidoskop. In July 2011, as an homage to componist Iannis Xenakis' death anniversary, the solistensemble performed for 3 days in more than 30 different location all around Berlin.
- Stephan Talneau
- 2012-04-01
- Musical
- 60
1h. Musical. Cast. Solistenensemble Kaleidoskop (Themselves) Director. Stephan Talneau. Synopsis. In July 2011, as an homage to componist Iannis Xenakis' death anniversary, the solistensemble...
8 de ene. de 2014 · Fusing the ancient greek terms “poly” (“many”) and “topos” (“place”), Greek-French composer Iannis Xenakis coined a neologism for his set of spatial creations that mixed together sound, light, color and architecture during live performances. The Polytopes may be considered a summa of Xenakis interests and skills, because his ...
Pierre Carré. Xenakis grouped together under the term polytopes a series of various shows that mixed music, light and architecture in a total sensory experience: the Polytopes of Montreal, Persepolis, Cluny, Mycenae, and the Diatope. Although they share the same name, these shows, produced between 1967 and 1978, take very different forms ...
Polytope de Mycènes. Being his first work created in Greece, in this high place of the ancient culture, The Polytope of Mycenae will keep a special place in the artist’s universe. Xenakis conceived it after having obtained amnesty, thanks to Constantin Karamanlis, in 1974. It is a return to his native country, after 27 years of exile.
Summaries. In July 2011, as an homage to componist Iannis Xenakis' death anniversary, the solistensemble performed for 3 days in more than 30 different location all around Berlin. With a filming team Director Stephan Talneau, is currently creating a fragmental documentary made of numerous moment of the performance.
Polytopes. Reproduction of an unpublished text, translated: To be sensitive to the luminous phenomena, mainly natural: lightning, clouds, fires, sparkling sea, sky, volcanoes, …. To be much less sensitive to the luminous games of the films even abstract, to the decorations of theater, of opera. To prefer natural spectacles outside of man.
