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  1. Paul-Émile Pissarro, also Paulémile Pissarro or Paul Émile Pissarro (22 August 1884 in Éragny-sur-Epte, France – 20 January 1972 in Clécy in the department of Calvados, France) was a French impressionist and neo-impressionist painter. He came from the Pissarro family of artists.

  2. View Paul-Émile Pissarros 1,051 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available paintings, works on paper, and prints and multiples for sale and learn about the artist.

    • French
  3. contemporaryartsociety.org › paul-emile-pissarroPaul Émile Pissarro | CAS

    Paul-Émile Pissarro, also Paulémile Pissarro or Paul Émile Pissarro (22 August 1884 in Éragny-sur-Epte, France – 20 January 1972 in Clécy in the department of Calvados, France) was a French impressionist and neo-impressionist painter. He came from the Pissarro family of artists.

  4. Paul-Emile Pissarro, born on August 22nd, 1884 in Eragny, France, was the fifth and youngest son of Camille Pissarro, the renowned French Impressionist and Neo-Impressionist. His father, who recognized Emile’s early talents and encouraged him to draw from an early age, cultivated an artistic environment for his children.

  5. Paulemile Pissarro was born on August 22nd, 1884, the youngest child of Camille Pissarro, the father of impressionism. He was brought up in the artistic environment of Eragny, France. His godfather was Claude Monet, who became his tutor and close friend, particularly when Camille died in 1903.

  6. Paul-Émile Pissarro (1884-1972), was a French painter and print maker. He was the fifth and youngest son of Camille Pissarro and was bought up in the artistic environment of the family home. Encouraged by his father, Paul-Émile began drawing at an early age.

  7. 28 de may. de 2006 · Cézanne and Pissarro had first met two years previously, at the Académie de Charles Suisse in Paris. Soon a close bond of friendship and collaboration developed between the two artists. Cézanne found in Pissarro the same rejection of tradition and academic training which characterised his own work.