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Robert Fielding is a contemporary artist of Pakistani, Afghan, Western Arrente and Yankunytjatjara descent, who lives in Mimili Community in the remote Anangu Pitjantjatjara Yankunytjatjara (APY) Lands. Fielding combines strong cultural roots with contemporary views on the tensions between community life and global concerns.
Robert Fielding (born 1959) is an Australian artist based in Mimili, South Australia. He is known for his recent series of photographs of wrecked cars and other discarded objects on which he has painted colourful designs.
Robert Fielding (b. 1969) is a contemporary artist of Pakistani, Afghan, Western Arrente and Yankunytjatjara descent, who lives in Mimili Community in the remote Anangu Pitjantjatjara Yankunytjatjara (APY) Lands.
In Our Hands 2016 is Western Arrernte/Yankunytjatjara artist Robert Fielding’s first moving image work and it is one he has wanted to make for quite some time.With its palpable reference to the iconic moment of Gough Whitlam pouring earth into the hands of Vincent Lingiari on the handing back of Wave Hill station to the Gurindji people in 1975, an entry in the 2016 Vincent Lingiari Art Award ...
Robert Fielding. Nganampa Manta. synthetic polymer paint on linen. 200.5 x 251 cm. This is an expanse of country found on the edge of Mimili within the Aṉangu Pitjantjatjara Yankunytjatjara ( APY) Lands, South Australia. Robert Fielding, a first-time Wynne and Archibald Prize finalist, has returned to this place many times over the past 30 years.
Title: Robert Fielding. Engraver: Isaac Beckett (British, Kent 1652/53–1719 London) Artist: After Sir Godfrey Kneller (German, Lübeck 1646–1723 London) Sitter: Robert Fielding (British, 1651–1712) Date: 1683–88. Medium: Mezzotint; second state of four; proof before letters. Dimensions: Sheet (trimmed close to plate): 13 5/16 × 9 3/4 ...
3 de may. de 2024 · May 3, 2024. Mimili man and multi-media artist Robert Fielding lives and breathes art, even when he’s dreaming. With the blessing of his community Elders, he keeps their stories alive through his contemporary and experimental practice. Now, as Canberra Glassworks’ artist-in-residence, he is turning his hand to glass. Zali Morgan writes.
