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  1. Released: October 1978. Back to the Bars is a live album by rock musician Todd Rundgren, which was released as a double LP in 1978. The album was recorded during week-long stints in New York City ( The Bottom Line ), Los Angeles ( The Roxy ), and Cleveland ( The Agora ).

  2. View credits, reviews, tracks and shop for the 1978 Vinyl release of "Back To The Bars (A Double Live Album)" on Discogs.

    • (4)
    • US
    • 11
    • 2 x Vinyl, LP, Album, Stereo, Gatefold
  3. 4 de ene. de 2009 · The set features him both as a solo artist with lots of famous guests at the time (Hall and Oates, Rick Derringer, Spencer Davis, Stevie Nicks, to name a few...) and alongside his band UTOPIA (but don't go expecting anything like 'The Ikon'...).

  4. Back to the Bars is a music live recording by TODD RUNDGREN (Crossover Prog/Progressive Rock) released in 1978 on cd, lp / vinyl and/or cassette. This page includes Back to the Bars's : cover picture, songs / tracks list, members/musicians and line-up, different releases details, free MP3 download (stream), buy online links: amazon, ratings and detailled reviews by our experts, collaborators ...

    • (28)
  5. Rick Derringer (born Richard Dean Zehringer; August 5, 1947) is an American musician, producer, and songwriter. He achieved success during the 1960s with his then band, the McCoys. Their debut single, "Hang on Sloopy", was a number-one hit in 1965 and became a classic track of the garage rock era. The McCoys then had seven songs that charted in ...

  6. Rick Derringer (Ricky Dean Zehringer; 5 de agosto de 1947 en Ohio, Estados Unidos) es un músico y productor estadounidense, ganador de un premio Grammy. Inició su carrera en los años sesenta como músico de la banda The McCoys, los cuales tuvieron un sencillo en el número uno de las listas de éxitos titulado "Hang on Sloopy."

  7. www.connollyco.com › todd_rundgren › barsBACK TO THE BARS

    Todd hadn’t really released a live album to date (Another Live was a hybrid), so Back to the Bars can’t be called blatant product, but no one’s calling it a great live album either. In the studio, Rundgren’s songs hinge on his vocals and harmonies; on stage, his impassionable voice comes across like a rusty version of Daryl Hall.