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  1. Desire Under the Elms is a 1924 play written by Eugene O'Neill. Like Mourning Becomes Electra, Desire Under the Elms signifies an attempt by O'Neill to adapt plot elements and themes of Greek tragedy to a rural New England setting. It was inspired by the myth of Phaedra, Hippolytus, and Theseus.

    • Eugene O'Neill
    • 1924
  2. Desire Under the Elms, tragedy in three parts by Eugene O’Neill, produced in 1924 and published in 1925. The last of O’Neill’s naturalistic plays and the first in which he re-created the starkness of Greek tragedy, Desire Under the Elms draws from Euripides ’ Hippolytus and Jean Racine ’s Phèdre , both of which feature a father ...

    • The Editors of Encyclopaedia Britannica
  3. Deseo bajo los olmos (Desire under the elms) es una obra de teatro escrita por el dramaturgo norteamericano Eugene O'Neill en 1924. Pertenece al género dramático, y propone una versión más mundana y moderna de la tragedia clásica.

  4. The best study guide to Desire Under the Elms on the planet, from the creators of SparkNotes. Get the summaries, analysis, and quotes you need.

  5. 1h 51m. IMDb RATING. 6.5 /10. 1.5K. YOUR RATING. Rate. Play trailer 2:24. 1 Video. 15 Photos. Drama Romance. Desperation and secret passions on a family farm lead to tragedy. Director. Delbert Mann. Writers. Irwin Shaw. Eugene O'Neill. Stars. Sophia Loren. Anthony Perkins. Burl Ives. See production info at IMDbPro. RENT/BUY. from $3.79.

    • (1.4K)
    • Drama, Romance
    • Delbert Mann
    • 1958-05-06
  6. Deseo bajo los olmos es una película dirigida por Delbert Mann con Sophia Loren, Anthony Perkins, Burl Ives, Frank Overton .... Año: 1958. Título original: Desire Under the Elms. Sinopsis: Eben (Anthony Perkins), el hijo de un granjero, sólo espera el día en que pueda heredar las tierras de su padre, un tiránico viudo (Burt Ives).

  7. 3 de oct. de 2020 · Desire Under the Elms also looks forward to Mourning Becomes Electra with its handling of New England tragedy and A Touch of the Poet and More Stately Mansions, the only surviving plays of his planned cycle on American acquisitiveness, A Tale of Possessors, Self-Dispossessed.