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Elsa Reger. Margarete Ulrike Augusta Marie Karoline Elsa Reger (née von Bagenski; previously von Bercken, 25 October 1870 – 3 May 1951) was a German writer, the wife of the pianist and composer Max Reger, whose memory she kept alive by founding an archive, the Max-Reger-Institute, and a foundation, all dedicated to him and his work.
30 de mar. de 2018 · Max Reger (1873-1916). Elsa Reger, in her book (1930), writes in some detail about the circumstances surrounding Reger’s death. She arrived in the afternoon of May 11, 1916 at the death-bed of her beloved husband (p. 153) and stayed the whole night (p. 154), meaning until May 12.
1 de dic. de 2004 · As Elsa Reger recounted, Strauss complimented Reger after hearing the Four Tone Poems after A. Böcklin, op. 128, by suggesting that with “one step closer,” he, Reger, would “be one of us,” to which Reger replied that this was a step he would never take. 1 When Reger began to write his op. 112, Die Nonnen, he was determined to use an antique, his...
- Leon Botstein
- 2004
Elsa Reger (de soltera von Bagenski; anteriormente von Bercken, 25 de octubre de 1870 - 3 de mayo de 1951) fue una escritora alemana, esposa del pianista y compositor Max Reger, cuya memoria mantuvo viva al fundar un archivo, el Instituto Max-Reger. y una fundación, todo dedicado a él y su obra.
About us. The Max-Reger-Institut / Elsa Reger Foundation (MRI) was established on 25 October 1947 by Elsa Reger, the composer’s widow, knowing that Max Reger thirty years after his death on 11 May 1916 had fallen into undeserved oblivion. For nearly 50 years the Foundation had its headquarters in Bonn, where Elsa Reger - without biographical ...
There Reger's productivity increased enormously until he was able to persuade his family in 1901 to move to Munich where he expected more musical stimulation than in the Upper Palatinate. Reger, himself a Catholic, got married in 1902 to Elsa von Bercken, a divorced Protestant, which caused his excommunication.
Max and Elsa Reger with their adopted daughters Lotti and Christa in front of their villa in Jena (ca. 1915). – Max-Reger-Institut, Karlsruhe. Living in the quiet scholarly town of Jena in his first own villa from March and freed from courtly and professional constraints, Reger regains his compositional élan.
