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Martina Droth’s introduction and commentary contextualize the essays within their era, providing insight into the world of late-Victorian sculpture. David J. Getsy’s afterword connects the essays’ themes to the present, offering a resonant perspective on the sculpture of today.
18 de abr. de 2016 · Martina Droth’s introduction and commentary contextualize the essays within their era, providing insight into the world of late-Victorian sculpture. David J. Getsy’s afterword connects the essays’ themes to the present, offering a resonant perspective on the sculpture of today."
In 1895, he published the The Place of Sculpture in Daily Life, a quirky, four-part series of essays that ran in the Magazine of Art under the headings “Certain Fallacies,” “Sculpture in the House,” “Monuments,” and “Decoration.”
- Martina Droth
SCULPTURE IN DAILY LIFE BY MARTINA DROTH Published in 1895, this quirky set of essays made a case for sculp-ture’s relevance to modern life. Written by the poet, author, and critic Edmund Gosse (1849–1928), the essays argued that sculp-ture, far from being remote or elite, should be embraced as a “pop -
Martina Droth's introduction and commentary contextualize the essays within their era, providing insight into the world of late-Victorian sculpture. David J. Getsy's afterword connects the essays' themes to the present, offering a resonant perspective on the sculpture of today.
My desire has been to indicate the most practical modes in which we can employ the noblest and the most refined of the plastic arts in the adornment of our streets and public buildings on the one hand, and of our private houses on the other. —EDMUND GOSSE Author, translator, librarian, and scholar EDMUND GOSSE (1849–19
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