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  1. "The Origin of the Work of Art" (German: Der Ursprung des Kunstwerkes) is an essay by the German philosopher Martin Heidegger. Heidegger drafted the text between 1935 and 1937, reworking it for publication in 1950 and again in 1960.

    • Martin Heidegger
    • 1950
  2. how there is art at all, we will attempt to discover the nature of art where there is no doubt that art genuinely prevails. Art presences in the art-work [Kunst-werk]. But what and how is a work of art? What art is we should be able to gather from the work. What the work is we can only find out from the nature of art. It is easy to see that we

  3. At first, the essay, Heidegger departed from earlier theories concerning the essence of art, re- such a question appears elementary; the source of the art work, of course, is the art- jecting the notion of art as reflection or imi- ist.

  4. The work is the origin of the artist. Neither is without the other. However, neither of them alone bears the other. Artist and work are, each in themselves and in their mutual relations, through a third, namely through art, which is the first from which artist and artwork have their name.

    • Roger Berkowitz
  5. “The Origin of the Work of Art”, begun in 1935 but not published in full until 1960 – in other words, it spans the whole of the period in question – is Heidegger's most sustained treatment of art, and it is that text that this chapter focuses on.

    • Jonathan Dronsfield
    • 2009
  6. ceptual history through which this origin of the work of art could be made manifest needed to be understood within the context (and a cer tain leveling) of its Greek origins. As a result he argued for an under standing of the thing as emerging from the earth (physis)?and the figuration (Gestaltung) of the work of art itself as a setting or bringing

  7. 13 de sept. de 2012 · The translation of ‘The Origin of the Work of Art’ is by Albert Hofstadter; it appeared originally in Poetry, Language Thought, New York, Harper & Row, 1971. I once had the opportunity of talking about the difficulties of Heidegger’s text with Professor Hofstadter at the University of California.