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52nd Street — trumpet on "Zanzibar" only: Columbia 1978 Elton John: Reg Strikes Back: Rocket/Mercury 1988 J. J. Johnson: J.J. Inc. Columbia 1961 Quincy Jones: I Dig Dancers: Mercury 1960 Quincy Jones Walking in Space: A&M/CTI 1969 John Lewis: Essence: Atlantic 1962 Kirk Lightsey Temptation: Timeless 1991 Ronnie Mathews Doin' the Thang ...
Hubbard's trumpet playing was featured on the track "Zanzibar" from the 1978 Billy Joel album 52nd Street (the 1979 Grammy Award Winner for Best Album). The track ends with a fade during Hubbard's performance. An unfaded version was released on the 2004 Billy Joel boxed set My Lives .
Main ArtistTitleYear RecordedLabel1966Carl Allen and Manhattan ProjectsPiccadilly Square1989TimelessRoberto Ávila & SaravaCome to Brazil19891969A&M /CTI52nd Street is the sixth studio album by American singer-songwriter Billy Joel, released on October 11, 1978, by Columbia Records. Presenting itself as the follow-up to his breakthrough studio album, The Stranger, Joel tried to give the new album a fresh sound, hiring various jazz musicians to differentiate it from his previous ...
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" Zanzibar " is a song written by Billy Joel and recorded for his 1978 album 52nd Street. It has also appeared on several live albums. Lyrics and music. The themes of "Zanzibar" include love of sports, love of alcohol and the singer's attempt to pick up a waitress.
La línea de este disco sigue la que le había dado a conocer en The Stranger, con canciones y baladas de medio tiempo, aunque explora una vena más jazzística de Joel con el apoyo del trompetista Freddie Hubbard.
21 de mar. de 2023 · It should also be noted that the great Freddie Hubbard recorded the trumpet solos further linking the jazz influence to the overall style of the song and album. In fact, I think it would have been wonderful had Hubbard been included on other songs throughout as I feel the combination of styles would have taken 52nd Street to another ...
Track 4 on 52nd Street. Producer. Phil Ramone. Zanzibar is a song from Joel’s ‘'52nd Street’‘ album, and most characterizes the jazz direction Joel wanted to take after releasing the pop...
