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  1. Betty Carter es considerada la responsable de descubrir grandes talentos de jazz. Sus descubrimientos incluyen a John Hicks , Curtis Lundy, Mulgrew Miller , Cyrus Chestnut , Dave Holland , Stephen Scott, Kenny Washington , Benny Green y otros más.

  2. en.wikipedia.org › wiki › Betty_CarterBetty Carter - Wikipedia

    Betty Carter (born Lillie Mae Jones; May 16, 1929 – September 26, 1998) was an American jazz singer known for her improvisational technique, scatting and other complex musical abilities that demonstrated her vocal talent and imaginative interpretation of lyrics and melodies. [1]

  3. 12 de may. de 2024 · Betty Carter (born May 16, 1930, Flint, Michigan, U.S.—died September 26, 1998, Brooklyn, New York) was an American jazz singer who is best remembered for the scat and other complex musical interpretations that showcased her remarkable vocal flexibility and musical imagination.

    • The Editors of Encyclopaedia Britannica
  4. 17 de may. de 2022 · Betty Carter, una de las voces más innovadoras de la historia del jazz - Jazz &Cash. Efemérides. En esta efeméride, Jazz & Cash recuerda a una artista que será recordada como una de las vocalistas con mayor incidencia en el género. Betty Carter, nació el 16 de mayo de 1929 en Michigan, Estados Unidos.

  5. www.wikiwand.com › es › Betty_CarterBetty Carter - Wikiwand

    Control de autoridades. Lorraine Carter, cantante estadounidense de jazz. Se trata probablemente de la vocalista más innovadora de la historia del jazz, vinculada casi permanentemente a la vanguardia jazzística y con una tendencia constante a la improvisación y a la transgresión de los límites armónicos y melódicos de las canciones.

  6. 26 de sept. de 1998 · Celebrated jazz vocalist whose maverick style saw her using her voice as an improvisational instrument to stunning effect. Read Full Biography. STREAM OR BUY: Active. 1940s - 1990s. Born. May 16, 1929 in Flint, MI. Died. September 26, 1998 in Brooklyn, NY.

  7. A virtuosic, world-renowned female jazz singer took the world by storm between the 1980s to 1990s. Her unique style of singing, involving improvised lines, scatt phrasing, and bebop, mixed with her daring and unpredictable change in tempos, meters, and melodies grabbed the world by storm and swung it around the jazz club.