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  1. Concerts, projects, news, bio, press, photos, articles, buy CDs and scores in the shop - it is all here. Born on november 2, 1957 in Bad Godesberg, German saxophonist, bass clarinetist, flutist, bass flutist and composer Gebhard Ullmann studied medecine and music in Hamburg and moved to Berlin in 1983. Since then he has released about 65 CDs as ...

    • Long Bio

      Born on november 2, 1957 in Bad Godesberg, German...

    • Projects

      Das Kondensat. Lineup: Gebhard Ullmann (soprano, tenor...

  2. Gebhard Ullmann (born November 2, 1957) is a German jazz musician and composer. Career. At the age of six, Ullmann started to play the recorder and later classical flute. Since 1976 he studied a.o. with Herb Geller and Dave Liebman and at the University of Hamburg flute and saxophone. He also studied medicine from 1976 – 1982.

  3. Gebhard Ullmann (* 2. November 1957 in Bad Godesberg) ist ein deutscher Jazzmusiker (Saxophone, Flöten, Bassklarinette) und Komponist. Inhaltsverzeichnis. 1 Leben und Wirken. 2 Preise und Auszeichnungen. 3 Diskographische Hinweise. 4 Lexigraphischer Eintrag. 5 Weblinks. 6 Einzelnachweise. Leben und Wirken.

  4. Gebhard Ullmann. Berlin, Germany. Born on november 2, 1957 in Bad Godesberg, Germany Gebhard Ullmann has released about 70 CDs as a leader or co-leader. He received numerous awards for his work and was listed in the Downbeat Critics Poll since 2005, 2015 for the first time in three categories.

  5. Born on november 2, 1957 in Bad Godesberg, German saxophonist (tenor and soprano), bass clarinetist, bass flutist and composer Gebhard Ullmann studied medecine and music in Hamburg from 1976 and moved to Berlin in 1983.

  6. Das Kondensat. Lineup: Gebhard Ullmann (soprano, tenor saxes, looper, sampler) Oliver Potratz (electric basses, analog effects, bass synthesizer) Eric Schaefer (drums, modular synthesizer) Releases: Andere Planeten (WhyPlayJazz 2023) Das Kondensat 2 (WhyPlayJazz 2021)

  7. A quartet co-lead by Steve Swell and Gebhard Ullmann. Reviews: 'Swell and Ullmann's protean expressionism, coupled with Lonberg-Holm's bold electro-acoustic palette and Zerang's kaleidoscopic percussion yield a multi-hued range of colors on The Chicago Plan demonstrating the limitless stylistic diversity of these global improvisers.'

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