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  1. Emmanuel-Théodose de La Tour d'Auvergne, cardinal de Bouillon (24 August 1643 – 2 March 1715, Rome) was a French prelate and diplomat. Biography. Originally known as the Duc d'Albret, he was the son of Frédéric Maurice de La Tour d'Auvergne, Duc de Bouillon and his wife Éléonor de Bergh.

  2. Emmanuel-Théodose de La Tour d'Auvergne, cardinal de Bouillon (26 août 1643 - 2 mars 1715) fut d'abord prieur de Turenne et de Paunat, puis nommé abbé de Beaulieu en 1658 dont il se démet en 1664 après avoir réuni l'abbaye avec la congrégation de Saint-Maur.

  3. La Tour d'Auvergne. The House of La Tour d'Auvergne ( French: [la tuʁ dovɛʁɲ]) was a noble French dynasty. Its senior branch, extinct in 1501, held two of the last large fiefs acquired by the French crown, the counties of Auvergne and Boulogne, for about half a century.

  4. French prelate and diplomat, b. 24 August, 1643, at Turenne, d. 2 March, 1715, at Rome. The son of Frederick Maurice, Prince of Sedan, he was of the family of the great Marshal Turenne. In 1658, he was appointed a canon of Liège; doctor of the Sorbonne in 1667; created a cardinal in 1669, at the early age of twenty-four, and, finally, provided ...

  5. 8 de jun. de 2020 · Occasion de se pencher sur le portrait du cardinal de Bouillon, un chef-d’œuvre de l’artiste conservé au musée Rigaud de Perpignan. À œuvre d’exception, histoire d’exception ! C’est en juin 1707 que Hyacinthe Rigaud (1659-1743), alors au sommet d’une gloire européenne, reçut commande à Paris du portrait du ...

  6. This was used to effect Bouillon's downfall at court. The cardinal then put forth great efforts to obtain the vacant Prince-Bishopric of Liège, but could not overcome the opposition of Louvois, who secured the dignity for Clement Joseph of Bavaria. Bouillon eventually regained the royal favour and was sent as ambassador to Rome.

  7. Title: Emmanuel-Théodose de La Tour d'Auvergne, cardinal de Bouillon. Artist: Robert Nanteuil (French, Reims 1623–1678 Paris) Publisher: Gérard Edelinck (Dutch, Antwerp 1640–1707 Paris) Date: ca. 1678. Medium: Engraving; proof of second state of two (Adamczak) Dimensions: Sheet: 20 1/16 × 17 1/4 in. (51 × 43.8 cm) Classification: Prints