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  1. Giovanni Salviati (Florencia, 24 de marzo de 1490 - Rávena, 28 de octubre de 1553) fue un eclesiástico italiano. Biografía. Hijo de Jacopo Salviati y de Lucrezia de Medici, su tío León X le creó cardenal diácono de SS. Cosme y Damián en el consistorio de 1517; su hermano Bernardo alcanzaría la misma dignidad en 1561.

    • 1517 por León X.
  2. Giovanni Salviati. Portrait, oil on canvas, of Giovanni Salviati (1490–1553) by Pier Francesco Foschi (1502–1567) Giovanni Salviati (24 March 1490 – 28 October 1553) was a Florentine diplomat and cardinal. [1] He was papal legate in France, and conducted negotiations with the Emperor Charles V .

  3. El planisferio Salviati recibe este nombre porque Carlos V se lo regaló al cardenal Giovanni Salviati (1490-1553), oficiante de su matrimonio con Isabel de Portugal celebrado en el Alcázar de Sevilla en 1526.

  4. Biography. Florentine Mannerist painter, a pupil of Andrea del Sarto. Originally Francesco de' Rossi, he adopted his name from his patron Cardinal Giovanni Salviati, with whom he went to Rome c. 1530 and for whom he painted the work that established his reputation there - the frescoes in the Oratorio di San Giovanni Decollato, Rome (1538).

  5. Overview. Catalogue Entry. Technical Notes. Signatures, Inscriptions, and Markings. Provenance. Exhibition History. References. Frame. Title: Carlo Rimbotti (1518–1591) Artist: Francesco Salviati (Francesco de' Rossi) (Italian, Florence 1510–1563 Rome) Date: 1548. Medium: Oil on wood. Dimensions: 20 3/4 × 16 3/8 in. (52.5 × 41.5 cm)

    • Giovanni Salviati1
    • Giovanni Salviati2
    • Giovanni Salviati3
    • Giovanni Salviati4
    • Giovanni Salviati5
  6. The role of nature and art (and artifice) is far Sarto (1486-1530). Then, in 1531 he moved to from alien to the discussion of aesthetics in the Rome, where he became a protege of Cardinal first half of the sixteenth century. Baldassare Giovanni Salviati (1490-1553), whose name he.

  7. Francesco Salviati's 'Visitation". FROM without, the Oratorio of S. Giovanni Decollato is not and Sarto's scene in the Chiostro dello Scalzo, to recognize impressive. Its architectural modesty, which appears dic- that, if Salviati was Florentine by birth and training, he tated by a strictly utilitarian purpose on the part of the by 1538, a ...