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Helen Frankenthaler (Nueva York, 12 de diciembre de 1928 - Darien, Connecticut, 27 de diciembre de 2011) [1] fue una pintora expresionista abstracta estadounidense, así como una importante referente de la pintura estadounidense durante el periodo de posguerra.
Helen Frankenthaler. (Nueva York, 1928 - Darien, Connecticut, 2011) Pintora estadounidense cuya obra desempeñó un papel determinante en la evolución del expresionismo abstracto. Hija de Marta Lowenstein, emigrada desde Alemania, y de Alfred Frankenthaler, juez del Tribunal Supremo del Estado de Nueva York, Helen Frankenthaler nació en el ...
Helen Frankenthaler (December 12, 1928 – December 27, 2011) was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. Having exhibited her work for over six decades (early 1950s until 2011), she spanned several generations of abstract painters while continuing to ...
15 de ene. de 2024 · Helen Frankenthaler. Estados Unidos, 1928–2011. Expresionismo Abstracto. Mujer ♀. Helen Frankenthaler fue una de las artistas más influyentes de la segunda generación de la Escuela de Nueva York. Y, hago una pequeña pausa pues, antes de seguir con esta breve biografía de una de mis pintoras favoritas, creo que es importante ...
Helen Frankenthaler (December 12, 1928 – December 27, 2011) was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. Having exhibited her work for over six decades (early 1950s until 2011), she spanned several generations of abstract painters while continuing to produce vital and ...
Photograph by Burt Glinn / Magnum Photos. Helen Frankenthaler, A Brief Biography. Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for ...
Biography. Helen Frankenthaler's works helped redefine painting. From the Renaissance on, a painting was considered a window onto the world, through which one saw an illusion of reality. This concept was challenged intensely throughout the first half of the twentieth century, climaxing in the 1950s with the work of artists like Frankenthaler ...
