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Pieter Lastman ( Ámsterdam, 1 1583-1633) fue un pintor neerlandés de la época barroca. Se recuerda a Lastman, sobre todo, porque entre sus alumnos estuvieron Rembrandt (hacia 1622-1623) y Jan Lievens. Biografía. La despedida de Agar, 1612, sobre madera, Kunsthalle de Hamburgo.
Pieter Lastman (1583–1633) was a Dutch painter. Lastman is considered important because of his work as a painter of history pieces and because his pupils included Rembrandt and Jan Lievens . [2] In his paintings Lastman paid careful attention to the faces, hands and feet.
April 4, 1633, Amsterdam, Neth. Pieter Lastman (born 1583, Amsterdam—buried April 4, 1633, Amsterdam, Neth.) was a Dutch painter of biblical and mythological scenes in antique landscapes who had a strong influence on the young Rembrandt, who worked in his Amsterdam studio in 1624.
- The Editors of Encyclopaedia Britannica
Posiblemente la figura de Pieter Lastman no hubiera llegado hasta nosotros de no haber sido el maestro de Rembrandt , así como de Jan Lievens . Casi toda su obra se desarrolló en Amsterdam aunque sabemos que realizó un viaje a Roma entre 1603 y 1607, admirando el estilo de Caravaggio y de Adam Elsheimer , así como las pinturas de los Carracci .
View all 16 artworks. Pieter Lastman lived in the XVI – XVII cent., a remarkable figure of Dutch Baroque and Dutch Golden Age. Find more works of this artist at Wikiart.org – best visual art database.
- Dutch
- Amsterdam, Netherlands
23 de may. de 2024 · Pieter Lastman was the pre-eminent history painter of his generation in the Northern Netherlands. Born in Amsterdam to Catholic parents, Lastman trained with the painter Gerrit Pietersz and from 1602 spent several years in Italy. In Rome he became friends with Adam Elsheimer and Peter Paul Rubens.
Hace 2 días · Stories of the misdeeds of the Greek and Roman gods were popular subjects for paintings in the seventeenth century. Pieter Lastman had been to Rome and seen the innovative paintings of Caravaggio and his followers. He takes on their use of chiaroscuro – the dramatic use of light and shadow – and...
