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  1. Francesco del Cossa (Ferrara, h. 1436 - Bolonia, h. 1477) fue un pintor cuatrocentista italiano, perteneciente a la Escuela de Ferrara.

  2. Francesco del Cossa. Ferrara, c. 1435-Bolonia, 1476/77. Imprimir ficha. Nació en Ferrara alrededor de 1435 en el seno de una familia de artistas; su padre trabajó en la construcción de catedrales. El primer documento relacionado con su actividad artística, un pago por un trabajo en el altar mayor del Duomo de Ferrara, data de 1456.

  3. Francesco del Cossa (Ferrara, h. 1436 - Bolonia, h. 1477) fue un pintor cuatrocentista italiano, perteneciente a la Escuela de Ferrara. Era hijo de un cantero en Ferrara. Aunque se sabe poco de sus primeras obras, sí se conoce que viajó fuera de Ferrara cuando estaba a finales de su veintena o principios de su treintena.

    • Italian
    • Ferrara, Italy
  4. Francesco del Cossa. Ferrara, ca. 1435-Bologna, 1476/77. Print page. Cossa was born into a family of artists in Ferrara around 1435 and his father worked on the construction of cathedrals. The first document that relates to his activities as a painter records a payment for a work for the high altar of Ferrara cathedral in 1456.

  5. Cossa, the son of a stone mason, was born in Ferrara about 1436. Although the artist's first documented activity occurred in 1456, his earliest surviving datable paintings are from 1469 or so, making it difficult to reconstruct his early development with any confidence. Cossa's style shared in and helped to define the characteristic Ferrarese ...

  6. Francesco del Cossa (c. 1430 – c. 1477) was an Italian Renaissance painter of the School of Ferrara, who after 1470 worked in Bologna. Cossa is best known for his frescoes, especially his collaboration with Cosimo Tura on a cycle of the months in the Palazzo Schifanoia of the Este family, rulers of Ferrara.

  7. Francesco del Cossa (born 1436, Ferrara, Duchy of Ferrara—died 1478, Bologna, Emilia) was an early Renaissance painter of the Ferrarese school who, through his seven years’ residence in Bologna, exercised a profound influence on the course of Bolognese painting.