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Michel Martin Drolling (7 March 1786 – 9 January 1851) was a neoclassic French painter, painter of history and portraitist. [1] Biography. He was born in Paris. There, he began painting under the supervision of his father, the painter Martin Drolling. After 1806, he studied with Jacques-Louis David.
View Michel Martin Drolling’s 124 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available paintings, works on paper, and prints and multiples for sale and learn about the artist.
- French
Michel Martin Drölling, né le 7 mars 1786 [1] à Paris, et mort dans la même ville le 9 janvier 1851, est un peintre néoclassique français. Il est le fils du peintre Martin Drölling, et le frère de l'artiste peintre Louise-Adéone Drölling.
- 7 mars 1786Paris
- Cimetière du Montparnasse
- française
Recibió el Premio de Roma en 1810 por la obra La ira de Aquiles, entre sus pinturas más notables se encuentran: La muerte de Abel, Orfeo perdiendo a Eurídice, El buen Samaritano, Comunión de María Antonieta en la conserjería, Jesús entre los doctores y La conversión de San Pablo.
Michel Martin Drolling was a neoclassic French painter, painter of history and portraitist. He was born in Paris. There, he began painting under the supervision of his father, the painter Martin Drolling. After 1806, he studied with Jacques-Louis David. He won the Prix de Rome in 1810 for The Wrath of Achilles.
Biography. Part of a French family of painters. Martin Drolling (Drölling) and his son Michel-Martin Drolling were portrait painters; whereas the father expanded his range by concentrating on bourgeois domestic interiors, the son produced a number of history paintings on mythological and religious subjects.
Martin Drölling fue un pintor francés del siglo XIX conocido por sus magníficos cuadros que capturan la vida cotidiana de la época. Sus obras destacan por su estilo realista y detallado, mostrando escenas de interiores de casas burguesas, retratos y naturalezas muertas.
