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  1. Amalia von Königsmarck. Countess Amalia "Emilie" Wilhelmina Lewenhaupt (née von Königsmarck) (20 August 1663 – 30 January 1740) was a Swedish noblewoman of German descent who became known as a dilettante painter, actor, and poet. Life.

  2. 1 de abr. de 2023 · Amalia Wilhelmina von Königsmarck. German: Emilie Wilhelmina von Königsmarck, Swedish: Amalia Vilhelmina von Königsmarck. Birthdate: August 20, 1663. Birthplace: Stade, Niedersachsen, Germany. Death: January 13, 1740 (76) Övedskloster Castle, Öved, Sjöbo, Skåne County, Sweden.

    • Stade, Niedersachsen
    • Gen. Carl Gustaf Lewenhaupt, Till Falkenstein
    • Niedersachsen
    • August 20, 1663
  3. Amalia Wilhelmina von Königsmarck was the daughter of Conrad Christofer von Königsmarck and Maria Kristina Wrangel and from 1689 was married to Count Carl Gustav Lewenhaupt. Like her sister Maria Aurora von Königsmarck and the la Gardie sisters, she belonged to the friends and acquaintances of Queen Ulrika Eleonora the elder.

  4. 10 de jul. de 2021 · Amalia von Königsmarck depicted herself in an allegorical self-portrait from 1689 holding a portrait of Queen Ulrika Eleonora the elder. In this image she underlines her role as artist by holding a bunch of paintbrushes in her right hand whilst her clothes and her jewellery indicate her elevated social status.

    • Gesina Ter Borch
    • Amalia Wilhelmina Von Königsmarck
    • Anna Maria Van Schurman
    • Helene Schjerfbeck
    • Amanda Sidvall
    • Bonus: Still Life with cheeses, Almonds and Pretzels

    Gesina ter Borch (1633–1690) was a Dutch Golden Ageillustrator, watercolorist, and draftswoman. Her artworks consisted mainly of domestic scenes. She was born into an artistic family and developed her art skills by learning from her father Gerard ter Borch the Elder, along with her brothers Harmen and Moses and her half-brother Gerard ter Borch (II...

    Amalia “Emilie” Wilhelmina Königsmarck(1663–1740) was a member of a German-Swedish noble family. She was known as an amateur painter, actor, and poet. This painting depicts four female figures: the right figure with a handful of brushes is probably Amalia von Königsmarck herself. She presents a profile portrait of Ulrika Eleonora of Denmark, the Qu...

    Anna Maria van Schurman(1607–1678) was a 17th-century German-born, Dutch artist known for her paintings and engravings. In 1636 she studied at Utrecht University, becoming the first female university student of Europe. She is also the first known Dutch painter to use pastels in a portrait. She gained honorary admission to the St. Luke’s Guild of pa...

    Helene Schjerfbeck (1862–1946) created over 40 self-portraitsthroughout her life. The older she became, the more isolated she was. For lack of models, she painted herself. Her later portraits reveal her own physical deterioration with shocking honesty.

    Amanda Sidwall (1844–1892) was one of the first 18 students in the “Women’s Department” when the Royal Swedish Academy of Fine Arts formally opened its doors to women in 1864. In 1874 she went to Paris to continue her studies at the Académie Julian. Sidvall received good reviews in her lifetime and became an established artist. At the Paris Salon o...

    No, we haven’t made an error by putting the wrong image in the article. This still-life does contain a self-portrait of the painter. Can you find it? In the pewter lid of the earthenware jug, you can see the reflection of a woman’s face with a white cap. This is Clara Peeters.

  5. 6 de nov. de 2020 · Amalia Wilhelmina von Königsmarck. 1663-08-20 — 1740-01-30. Artist, poet. Amalia von Königsmarck was an artist and a poet. Amalia (Emilie) Wilhelmina von Königsmarck was born in 1663. She grew up in Stade, Germany.

  6. 12 de feb. de 2012 · Besides Aurora, a few other ladies of the court who participated in the 1684 performance of Iphigénie should be mentioned here: her sister Amalia Wilhelmina Königsmarck (1663-1740) played the role of Achille in Racine’s dramatic tragedy, and their cousins Ebba Maria de la Gardie (1657-1697) and Johanna Eleonora de la Gardie (1661 ...