Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. Chris Bacon (born March 17, 1977, in Provo, Utah) is an American composer. His film scores include Alpha and Omega (2010), Source Code (2011), Gnomeo & Juliet (2011), Sherlock Gnomes (2018) and Men in Black: International (2019). He was the composer for all 50 episodes of the A&E drama series Bates Motel, for which he was nominated ...

  2. About - Chris Bacon. “My life began in Watford, England in 1960. Within weeks we boarded a ship to Ascension Island via Cape Town, South Africa and Saint Helena. My Father’s work meant we would travel. Our next home was on the Island of Viti Levu in Fiji.

  3. PDF of Credits. Chris Bacon is a three-time Emmy nominated composer who recently co-composed the uniquely macabre score for the Netflix smash-hit series Wednesday starring Jenna Ortega, and scored the Sony Pictures sci-fi thriller 65 directed by Scott Beck and Bryan Woods starring Adam Driver.

  4. www.imdb.com › name › nm2092016Chris Bacon - IMDb

    Agent info. Resume. Born March 17, 1977. Add to list. Nominated for 4 Primetime Emmys. 2 wins & 9 nominations total. Known for. Men in Black: International. 5.6. Composer. 2019. Gnomeo & Juliet. 5.9. Composer (original score composed by)

    • January 1, 1
    • 1.93 m
    • Provo, Utah, USA
  5. Chris Bacon. Composer: Men in Black: International. Two-time Emmy nominee Chris Bacon successfully applies his creative talents to scoring for Feature Film, Animation, Documentaries and TV.

    • March 17, 1977
  6. 3 de ene. de 2024 · Chris Bacon (born March 17, 1977 in Provo, Utah) is an American composer. His film scores include Alpha and Omega (2010), Source Code (2011), Gnomeo & Juliet (2011), Sherlock Gnomes (2018) and Men in Black: International (2019). He was the composer for all 50 episodes of the A&E drama series Bates M

  7. 21 de jul. de 2023 · Bacon and his fellow composers are perfect examples of the crucial human element in composing music. As they draw on musical traditions from previous films, TV, and classical music, they resulted in Wednesday’s soundtrack being an energetic force of macabre delight.