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Joining Trinity College Choir Choral Scholarships and Organ Scholarships at Trinity offer an outstanding range of opportunities and benefits, including free international tours and lessons with world-class teachers.
- About
Highlights of the Choir’s extensive discography include...
- Concerts
The Choir of Trinity College Cambridge; Steven Grahl...
- Recordings
Recordings of Baroque and 20th century repertoire have...
- About
Recordings of Baroque and 20th century repertoire have enabled collaborations with the Academy of Ancient Music, the Orchestra of the Age of Englightenment, Britten Sinfonia and City of London Sinfonia, and with soloists including Susan Gritton, Emma Kirkby, Iestyn Davies, Allan Clayton, James Gilchrist, Thomas Hobbs, Matthew Brook, Neal Davies
Choral Scholars and Volunteers and Organ Scholars all receive six free singing lessons per term from one of our experienced and highly-respected singing teachers. All of our singing teachers are accomplished singers in their own right with a wealth of professional experience as soloists and ensemble singers.
14 de ene. de 2013 · Trinity College Choir and Stephen Layton join the Orchestra of the Age of Enlightenment and an impressive line-up of soloists led by Evangelist James Gilchrist for a joyous rendition of Bach’s six cantatas for the festive season from the first day of Christmas to Epiphany.
Choir members can be found directing plays, playing sports, performing in operas or close harmony groups, giving solo recitals and much more besides. Trinity has a thriving College music scene and excellent music facilities – Trinity College Music Society organises around 30 concerts a term.
Once again Stephen Layton conducts the Orchestra of the Age of Enlightenment, Polyphony, and a stunning team of soloists as part of the St John's Smith Square Easter Festival, on Good Friday 7 April Duruflé Requiem - Trinity College Choir with Stephen Layton
Anthems are bread and butter in the Trinity choir’s weekly diet of chapel services, and their consummate grasp of idiom energises the opening item, Elgar’s ‘Great is the Lord’. Moving with a symphonic sweep across its ten-minute span, it also boasts an excellent bass soloist in the shape of Florian Störtz.
