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  1. 14 de mar. de 2010 · Mar 14–May 31, 2010. This performance retrospective traces the prolific career of Marina Abramović (Yugoslav, b. 1946) with approximately fifty works spanning over four decades of her early interventions and sound pieces, video works, installations, photographs, solo performances, and collaborative performances made with Ulay (Uwe ...

  2. 6 de dic. de 2023 · The woman is the pioneering artist Marina Abramović, but its likely that few of the people in line have any sense of this woman’s indelible impact on contemporary art. As I wait, an anthology of her performances scrolling through my head.

  3. That’s also 44 days (and counting) since Abramović embarked on her longest ever durational piece, a new work also entitled The Artist is Present, in which the artist sits in silence at a table in the museum’s huge atrium gallery, and members of the public are invited to sit on the chair opposite her to share in silent contemplation of each ...

  4. 9 de oct. de 2023 · this exhibition for a total of over 700 hours. Courtesy the artist and Sean Kelly Gallery. MARINA ABRAMOVIĆ: In The Artist is Present, I perform every day for three months. The performance is really about presence. You have to be in the here and now, 100 percent. GLENN LOWRY: Marina Abramović.

  5. 23 de ene. de 2024 · On this tour you will hear from the artist herself, who is performing a new piece in the second floor Marron Atrium. Artist, Marina Abramović : The title of the show is Artist Is Present , and it's funny thinking how in old days, when you get invitation for the show of the painting or sculpture, there will be always invitation ...

  6. Marina Abramović ( Serbian Cyrillic: Марина Абрамовић, pronounced [marǐːna abrǎːmoʋitɕ]; born November 30, 1946) is a Serbian conceptual and performance artist. Her work explores body art, endurance art, the relationship between the performer and audience, the limits of the body, and the possibilities of the mind. [1]

  7. 17 de mar. de 2022 · Speaking at the press preview, Kelly and Abramović expressed an awareness that in the decade since the staging of The Artist is Present, a generation of performance artists and scholars have emerged who did not have the chance to see nor engage with the work.