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Touch of Evil is a 1958 American film noir written and directed by Orson Welles, who also stars in the film. The screenplay was loosely based on the contemporary Whit Masterson novel Badge of Evil (1956). The cast included Charlton Heston, Janet Leigh, Joseph Calleia, Akim Tamiroff and Marlene Dietrich.
Touch of Evil (en Argentina y en España, Sed de mal; en México, Sombras del Mal) es una película estadounidense del año 1958 dirigida, escrita y protagonizada por Orson Welles. Para muchos críticos, este es el último gran filme del período clásico del cine negro estadounidense.
Touch of Evil: Directed by Orson Welles. With Charlton Heston, Janet Leigh, Orson Welles, Joseph Calleia. A stark, perverse story of murder, kidnapping and police corruption in a Mexican border town.
- (110K)
- Crime, Drama, Film-Noir
- Orson Welles
- 1958-04-23
28 de ago. de 2021 · Touch of Evil is a 1958 American FILM NOlR written and directed by Orson Welles, who also stars in the film. The screenplay was loosely based on the contemporary Whit Masterson novel Badge of Evil (1956). The cast included Charlton Heston, Janet Leigh, Joseph Calleia, Akim Tamiroff, Marlene Dietrich, Zsa Zsa Gabor and Mercedes ...
- 110 min
- 14.3K
- Enid Montague508
Sed de mal es una película dirigida por Orson Welles con Charlton Heston, Janet Leigh, Orson Welles, Marlene Dietrich .... Año: 1958. Título original: Touch of Evil. Sinopsis: Un agente de la policía de narcóticos (Heston) llega a la frontera mexicana con su esposa justo en el momento en que explota una bomba.
- Estados Unidos
- Russell Metty (B&W)
- Orson Welles
‘Touch of Evil’: Orson Welles’ Grandiose Film Noir that Took Four Decades to Shine In Its Intended Form • Cinephilia & Beyond. Page. / 132. Restoration of "Touch Of Evil" (1958) - part 1. 1/2. Watch on. Everything 'Touch of Evil' Tells You in Its Opening 4 Minutes | Film 101. Watch on. Behind the Edit: The Orson Welles Memo. Watch on.
To some degree, his characters reflected his feelings about himself and his prospects, and “Touch of Evil” may be as much about Orson Welles as Hank Quinlan. Welles brought great style to his movies, embracing excess in his life and work as the price (and reward) of his freedom.
