1962
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The imagination is the vehicle of sensibility. Transported by the imagination, we attain life, life itself, which is absolute art. Yves Klein (2006). “Towards the immaterial”, Editions Dilecta. At first there is nothing, then there is a profound nothingness, after that a blue profundity.
Yves Klein, reconocido artista francés, afirmó en una ocasión que "El azul es el color más cálido. Es el color que encontré en el infinito." Con estas palabras, Klein resalta la importancia y la singularidad del color azul en su obra.
Yves Klein, renowned for his influential work in the realm of art, encapsulates his visionary mindset in the quote, "I am the architect of the invisible, building spaces that exist only in the realm of the imagination." Through these words, Klein signifies his ability to create ethereal artistic spaces that transcend the physical world.
- 1950s
- 1960s
- From Posthumous Publications
Blue has no dimensions, it is beyond dimensions, whereas the other colours are not. They are pre-psychological expanses, red, for example, presupposing a site radiating heat.. .All colours arouse s...
At present, I am particularly excited by 'bad taste'. I have the deep feeling that there exists in the very essence of bad taste a power capable of creating those things situated far beyond what is...
The essential of painting is that something, that 'ethereal glue', that intermediary product which the artist secretes with all his creative being and which he has to place, to encrust, to impregna...
In this way I seek to individualize the color, because I have come to believe that there is a living world of each color and I express these worlds. Enjoy the best Yves Klein Quotes at BrainyQuote. Quotations by Yves Klein, French Artist, Born April 28, 1928. Share with your friends.
Sourced quotations by the French Artist Yves Klein (1928 — 1962) about blue, space and sky. Enjoy the best Yves Klein quotes and picture quotes!
5 quotes from Yves Klein: 'I have written my name on the far side of the sky.', 'At present, I am particularly excited by "bad taste." I have the deep feeling that there exists in the very essence of bad taste a power capable of creating those things situated far beyond what is traditionally termed "The Work of Art."
