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Catherine is Senior Lecturer in Film Studies at King’s College London. She is the author of Stanley Cavell and Film: Scepticism and Self-Reliance at the Cinema (2019), Michael Haneke’s Cinema: The Ethic of the Image (2009), and Caché (2011).
1 de dic. de 2009 · This Adorno update, I would argue, is the key to what Wheatley has called ‘the aggressive reflexivity’ of Haneke's films in second-phase modernism. And yet, a hidden contradiction clouds the picture.
- John Orr
- 2009
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In an in-depth and illuminating account, Wheatley examines the key themes at the heart of the 'meaning' of Caché: the film as thriller; post-colonial bourgeois guilt; political accountability and...
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Catherine Wheatley is Senior Lecturer in Film Studies at King’s College London and the author of Michael Haneke’s Cinema: The Ethic of the Image (Berghahn, 2009) and Stanley Cavell and Film: Scepticism and Self-Reliance at the Cinema (forthcoming from Bloomsbury).
Catherine Wheatley, in her timely and valuable study Michael Haneke’s Cinema: The Ethic of The Image, proposes Haneke as a moral filmmaker, a director who exists in a tradition of counter cinema that defines itself in opposition to the mainstream cinema of Hollywood. Rather
Catherine Wheatley’s detailed analysis examines the key themes at the core of Michael Haneke’s enigmatic and multi-layered narrative. Ever since its world premiere at the Cannes film festival in May 2005, audiences have been talking about Michael Haneke’s Caché.
