Resultado de búsqueda
15 de may. de 2024 · Bridget Riley Biography. Bridget Riley is one of the most popular and richest Painter who was born on April 24, 1931 in West Norwood, England, United Kingdom.She also cited She cited Jackson Pollock as a major influence on her early work. as an important influence in Her early art.
7 de may. de 2024 · Bridget Riley Biography. Bridget Riley is one of the most popular and richest Painter who was born on April 24, 1931 in West Norwood, England, United Kingdom.She also cited She cited Jackson Pollock as a major influence on her early work. as an important influence in Her early art.
Hace 5 días · Bridget Riley Untitled (Oval Image) (S. 3, T. & G. 4) 1964 Screenprint in black, on wove paper, with full margins. I. 50.8 x 10.2 cm (20 x 4 in.) S. 76 x 35.4 cm (29 7/8 x 13 7/8 in.) Signed, dated and numbered 28/50 in pencil (there were also 5 artist's proofs), printed by Kelpra Studio, London, published by The Institute of Contemporary Arts, London (with their printed bylines recto), framed ...
18 de may. de 2024 · Bridget Riley - Sin título JPG: 1169 x 1200 Px Big Gaucho: Bridget Riley - Opt Art - El ritmo y la repetición son la raíz del movimiento / Rhythm and repetition are at the root of movement.
8 de may. de 2024 · Galerie Bridget Riley (1931-) | Les 22 oeuvres | Oeuvres | Voir | Bridget Riley née le 24 avril 1931 à Londres en Angleterre dans le quartier de Norwood est une artiste peintre britannique d origine anglaise.
15 de may. de 2024 · In ihrem langen und fruchtbaren Schaff en - sie wurde Anfang der 1960er-Jahre als führende Vertreterin der Op-Art bekannt - hat Bridget Riley ihre Bilder durch Konstellationen einfacher Formen entwickelt: Streifen, Dreiecke, Kreise und Ovale, Rauten und Kurven. Sie erforscht die Regeln der Wahrnehmung in Farben und Rhythmen, inspiriert von Th eorien und Malpraktiken von Ägypten bis zum ...
23 de may. de 2024 · Bridget Riley - Conversation JPG: 1656 x 1200 Px “Art is the imposing of a pattern on experience, and our aesthetic enjoyment is recognition of the pattern.”
