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15 de oct. de 2018 · When Virginie Amélie Avegno Gautreau (1859–1915) presented herself in French society, both in Paris and at her country home, Les Chênes, in Paramé, people would gather to. witness her beauty ...
8 de ene. de 2016 · Painted more than thirty years earlier, the iconic portrait of Virginie Avegno Gautreau (1859–1915), the American-born wife of a French banker, had nearly sidelined Sargent's career. In 1883, Sargent, a rising star in the Paris art world, convinced Gautreau to pose for him with the intention of creating a masterpiece to exhibit at the Paris Salon.
15 de feb. de 2021 · 10. Virginie Amélie Avegno Gautreau es el rostro tras Madame X, un retrato del pintor John Singer Sargent que provocó un interesante escándalo social. Un retrato que refleja una mujer transgresora para su época, marcando un cambio en el icono de belleza del momento dentro de la moda parisina. Elegante y extravagante para la época ...
14 de may. de 2021 · Virginie Amélie Avegno Gautreau, an American-born expatriate who had been living in Paris since 1867 after she moved there with her widowed mother when she was 8 years old, was a celebrated socialite there.
27 de abr. de 2021 · El ojo del arte: el controversial retrato de Madame X. John Singer Sargent, uno de los mas ambiciosos referentes del modernismo, pintó a Virginie Amélie Avegno Gautreau en 1884. Cuando presentó la obra fue un escándalo, pero la historia la ubicó en el lugar que se merece. Madame X, 1884, John Sargent.
Virginie Amélie Avegno Gautreau née le 29 janvier 1859 à La Nouvelle-Orléans, Louisiane, États-Unis et décédée le 25 juillet 1915 à Paris, France, était un modèle et une mondaine parisienne connue de la fin du XIXe siècle. Elle est surtout connue pour être le sujet du Portrait de Madame X, peinture de John Singer Sargent.
Curators Reflect: Sargent’s “Virginie Amélie Avegno, Madame Gautreau (Madame X)” November 10, 2022 Curator Aimee Ng explores why she views this newly acquired study for John Singer Sargent’s infamous painting Madame X as “one of the most human of his many renderings of Madame Gautreau.”
