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Title: The Love Song. Artist: Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham) Date: 1868–77. Medium: Oil on canvas. Dimensions: 45 x 61 3/8 in. (114.3 x 155.9 cm) Classification: Paintings. Credit Line: The Alfred N. Punnett Endowment Fund, 1947. Accession Number: 47.26. The Met's celebrated European Paintings collection ...
Edward Coley Burne-Jones (28. srpna 1833, Birmingham – 17. června 1898, Londýn) byl anglický malíř, napojený na umělecké hnutí prerafaelitů. Kromě malby se věnoval navrhování keramických dlaždic, šperků, gobelínů, vitráží a divadelních kostýmů.
24 de oct. de 2018 · One of the last Pre-Raphaelites, Edward Burne-Jones brought imaginary worlds to life in awe-inspiring paintings, stained glass windows and tapestries. Born in 1833, Burne-Jones rejected the industrial world of the Victorians, looking instead for inspiration from medieval art, religion, myths and legends. He made spectacular works depicting ...
Sir Edward Coley Burne-Jones Bt., Catalogue Raisonné. In honour of John Christian and William Waters, who have dedicated their lives to the artist. Add works, expertise, thesis and articles here. Expert Opinion: William Waters. Academic panel: Professor Caroline Arscott, Dr. Alison Smith, Dr. Suzanne Fagence Cooper, Dr. Fiona Mann, Sarah ...
Aug 28, 1833 - Jun 17, 1898. Sir Edward Coley Burne-Jones, 1st Baronet, ARA was a British artist and designer associated with the Pre-Raphaelite movement, who worked with William Morris on decorative arts as a founding partner in Morris, Marshall, Faulkner & Co. Burne-Jones was involved in the rejuvenation of the tradition of stained glass art ...
4 de feb. de 2019 · His subjects have been described as ‘narcotised beauties’ and he painted his mistresses as Renaissance nymphs: but Edward Burne-Jones was a modernist, argues Cameron Laux.
29 de mar. de 2023 · Edward Burne-Jones (1833–1898) was one of the key figures in Victorian art, achieving world-wide fame and recognition during his lifetime. As the last major figure associated with the Pre-Raphaelites , he led the movement into new symbolist directions where the expression of a mood or idea replaced the earlier focus on providing a realistic description of the natural world.
