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  1. 6 Mis películas de cine negro preferidas (422) Al borde del abismo es una película dirigida por Howard Hawks con Humphrey Bogart, Lauren Bacall, John Ridgely, Martha Vickers .... Año: 1946. Título original: The Big Sleep. Sinopsis: Un general millonario y excéntrico tiene dos hijas que están involucradas en asuntos más bien turbios.

  2. 16 de ago. de 2021 · The Big Sleep was released 75 years ago, and its plot has been puzzling viewers ever since. There is no disputing that Howard Hawks's Los Angeles-set noir classic is one of the most entertaining ...

  3. 2 de ago. de 2019 · A wealthy general seeks out hardboiled private eye Philip Marlowe to resolve his daughter’s gambling debts, but the case becomes much more complicated as people start getting murdered.

  4. Big Sleep, The (1946) -- (Movie Clip) Next Time I'll Come On Stilts Coming from the sweaty greenhouse where her father hired him to pay his other daughter’s gambling debts, Marlowe (Humphrey Bogart) is diverted by the butler (Charles D. Brown) to other-daughter Vivian (Lauren Bacall) who thinks he’s been hired to find their missing friend Regan, their first meeting, in Howard Hawks’ The ...

  5. The Big Sleep is a 1978 neo-noir film, the second film version of Raymond Chandler 's 1939 novel of the same name. The picture was directed by Michael Winner and stars Robert Mitchum in his second film portrayal of the detective Philip Marlowe (following Farewell, My Lovely three years earlier). The cast includes Sarah Miles, Candy Clark, Joan ...

  6. Humphrey Bogart and Lauren Bacall ignite the screen in this classic film noir adaptation of Raymond Chandler's steamy detective novel. When private investigator Philip Marlowe (Bogart) accepts the blackmail case of one of Los Angeles' wealthiest men, his probe leads deep into a web of lies, drugs, pornography and murder woven around his client's two beautiful daughters. But Marlowe's most ...

  7. 22 de jun. de 1997 · In the original version of "The Big Sleep," the relationship between Bogart and Bacall is problematical: Marlowe isn't sure whether he trusts this cool, elegant charmer. The 1946 version commits to their romance, and adds among other scenes one of the most daring examples of double entendre in any movie up until that time.

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