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It is, perhaps, the absurdity that makes this film such a beloved cult classic. Catherine Mary Stewart and Kelli Maroney are perfectly cast, and do an excellent job at capturing the lighthearted comedic undertones of this campy ‘80s horror/comedy. Night of the Comet is a fun adventure with thrills, scares, and laughs. “They Came.
5 de abr. de 2013 · Night Of The Comet (1984) -- (Movie Clip) Disintegration Factor Sisters Samantha (Kelli Maroney) and Reggie (Catherine Mary Stewart) have joined fellow comet-holocaust survivor Hector (Robert Beltran) at a radio station, their signal picked up by jump-suited scientists (Geoffrey Lewis, Mary Woronov et al) we've not met before, in Night Of The Comet, 1984.
Night Of The Comet (1984) -- (Movie Clip) Disintegration Factor Sisters Samantha (Kelli Maroney) and Reggie (Catherine Mary Stewart) have joined fellow comet-holocaust survivor Hector (Robert Beltran) at a radio station, their signal picked up by jump-suited scientists (Geoffrey Lewis, Mary Woronov et al) we've not met before, in Night Of The Comet, 1984.
La Tierra pasa por el camino de la cola de un cometa lo cual ocasiona que la vida animal y humana se deshidrate convirtiéndose en polvo rojo. Regina ( Catherine Mary Stewart) y Samantha ( Kelli Maroney ), dos hermanas adolescentes, salvan la vida al pasar la noche dentro de un contenedor metálico. Al despertar se encuentran con que el mundo ...
Night of the Comet is pure atmosphere. The orange skies and desolate streets, the upbeat 80s tunes, the bright neon colours, movie theatre and arcade games, department stores and dramatic fashion. Gnarly radioactive zombies hiding around every corner and our two charming leads having as much fun as they possibly can in a newly post apocalyptic world.
23 de may. de 2020 · Night of the comet Movie Trailer (Released 1984) All rights of footage & soundtrack belong to Atlantic Releasing Corporation & MGM Studios.(THIS IS A FAN EDI...
B-movies are the great anchor of American film. They're what we do best. And Night of the Comet, like Blood Beach and The Howling before it, honors the form even as it fails to transcend it. Things go bump in the night, characters exchange improbable dialogue and a good time is had by all even as the world comes to an end. [28 Nov 1994, p.B6]
