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9 de may. de 2024 · Georges Braque (born May 13, 1882, Argenteuil, France—died August 31, 1963, Paris) was a French painter, one of the important revolutionaries of 20th-century art who, together with Pablo Picasso, developed Cubism. His paintings consist primarily of still lifes that are remarkable for their robust construction, low-key colour harmonies, and ...
Georges Braque was born on 13 May 1882 in Argenteuil, Val-d'Oise. He grew up in Le Havre and trained to be a house painter and decorator like his father and grandfather. However, he also studied artistic painting during evenings at the École des Beaux-Arts , in Le Havre, from about 1897 to 1899.
Georges Braque. El pintor francés Georges Braque ha escrito, junto con Picasso, uno de los capítulos más significativos de la historia del arte moderno: la invención del cubismo. En sus comienzos, siguiendo la tradición familiar, aprendió el oficio de pintor-decorador de paredes en El Havre. En 1900 se trasladó desde Normandía a París ...
Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still lifes and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career ...
Georges Braque ( BRA (H)K, French: [ʒɔʁʒ bʁak]; 13 May 1882 – 31 August 1963) was a major 20th-century French painter, collagist, draughtsman, printmaker and sculptor. His most notable contributions were in his alliance with Fauvism from 1905, and the role he played in the development of Cubism.
Braque nació el 13 de mayo de 1882 en Argenteuil-sur-Seine, cerca de París. Pasó sus primeros años, entre su ciudad natal y El Havre, en la costa de Normandía. Estudió en la Escuela de Bellas Artes de la capital francesa y hacia 1905 empezó a pintar al modo de los fauvistas, utilizando colores puros y brillantes en composiciones de estructura muy libre.
El mantel rosa, del Museo Thyssen-Bornemisza, pertenece a esa serie de naturalezas muertas pintadas en la década de 1930 y expuestas en la galería de Paul Rosenberg de París en noviembre de 1938, en las que Braque logra alcanzar una monumentalidad propia de la pintura tradicional. Los objetos que componen el bodegón —menos fragmentados ...
