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  1. Howard Da Silva worked the steel mills of Pennsylvania to pay his way through Carnegie Institute. After finishing his acting training, Da Silva went to work for Eva Le Galliene's theatrical troupe. He brought attention to himself by staging a one-man show, Ten Million Ghosts, which led to several years' work with Orson Welles' Mercury Theatre.

  2. Howard Da Silva as American Parkson, leader of a ring that smuggles in exploited workers from Mexico, calls his contacts (Sig Ruman, Arnold Moss), who are then visited by undercover American agent Bearnes (George Murphy), whose mission is to plant stolen immigration permits, in director Anthony Mann’s Border Incident, 1949.

  3. DA SILVA, HOWARD. DA SILVA, HOWARD (4 May 1909-16 Feb. 1986) regarded his native Cleveland as a "second city" long after he had left to achieve stardom as an actor on Broadway and in films. Moving with his family from Cleveland at the age of 1, he was raised in the Bronx, N.Y., and completed his education at Carnegie Institute in Pittsburgh.

  4. Howard da Silva was an American actor, director and musical performer on stage, film, television and radio. He was cast in dozens of productions on the New York stage, appeared in more than two dozen television programs, and acted in more than fifty feature films. Adept at both drama and musicals on the stage, he originated the role of Jud Fry in the original 1943 run of the Rodgers and ...

  5. Howard Silverblatt war das Kind russischstämmiger Juden, die nur Jiddisch sprachen. Bevor er Schauspieler wurde, arbeitete er in Stahlwerken in Cleveland. Als er Rollenangebote bekam, nannte er sich um in Howard Da Silva. Zuerst ging es im Jahre 1930 an den Broadway, wo er sich einen Namen machte.

  6. Da Silva worked in theater before resuming his screen career in the early 60s, turning in fine performances in both film and TV, particularly as Benjamin Franklin in "1776" (1972) and as Louis B ...

  7. Biography. Character player, often in sinister roles, who was blacklisted in the 1950s. Da Silva worked in theater before resuming his screen career in the early 60s, turning in fine performances in both film and TV, particularly as Benjamin Franklin in "1776" (1972) and as Louis B. Mayer in "Mommie Dearest" (1981).