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  1. 18 de abr. de 2021 · Originally composed for solo piano, Gabriel Fauré’s Pavane is now better-known for its orchestral and optional choir versions. The all-orchestral version is performed often across the globe, with it also being dubbed as one of the most relaxing pieces of music ever composed. Fauré composed Pavane in 1887 and described the work as “elegant ...

  2. Gabriel Fauré (n. 12 mai 1845, Pamiers, Midi-Pyrénées, Franța – d. 4 noiembrie 1924, Paris, Franța) a fost un compozitor francez.Scrie pentru vocea umană ciclul de 10 piese numit „Cântecul Evei”, pe versurile poetului Charles von Lesberghe, „Grădina închisă”, „Miraje” și „Orizont Himeric” - lucrări meditative, care pun probleme filozofice și întrebări grave.

  3. 4. Gabriel Faure. Fauré became a founding member of the Société Nationale de Musique, formed in February 1871 to promote new French music. Other members included Saint-Saëns, Bizet, Chabrier, Franck and Massenet. Many of Fauré's works were first presented at the Society's concerts.

  4. Compositions by: Fauré, Gabriel. The following 130 pages are in this category, out of 130 total. A. Allegro Moderato for 2 Cellos (Fauré, Gabriel)

  5. Gabriel Fauré. Gabriel Urbain Fauré ( 12. mai 1845 Pamiers – 4. november 1924 Pariis) oli prantsuse helilooja, organist, pianist ja õpetaja . Fauré on üks väljapaistvamaid 19. sajandi lõpu ja 20. sajandi alguse prantsuse muusikuid.

  6. Gabriel Urbain Fauré (Pamiers, Francia, 12 de mayu de 1845 - París, ibidem, 4 de payares de 1924) foi un compositor, pedagogu, organista y pianista francés. Fauré ye consideráu unu de los compositores franceses más destacaos de la so xeneración y el so estilu musical influyó a munchos compositores del sieglu XX.

  7. Catálogo de obras de Gabriel Fauré. Canciones opus 01 de Victor Hugo [I. Le Papillon et la fleur.-. II. Mai], mélodie con piano. Cantique de Jean Racine, coro y órgano o piano. [3] Romances sans paroles, opus 17. Gavota para piano (obra de juventud). Canciones opus 02 [I. Dans les ruines d'une abbaye.-. II.

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