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  1. Agnes de Mille. It’s no exaggeration that Agnes de Mille (1905–1993) wasn’t given much encouragement to become a dancer. At first, her parents refused to give her lessons because dance was widely considered disreputable at the time. And when she was a college student, a professor told her she was too fat to pursue a dance career.

  2. 80th Anniversary Year of Rodeo,or The courting at Burnt Ranch 🎂🎊🥳🐎 October 2022-2023 and Ballet West marks the 80th anniversary of Agnes de Mille’s iconic American ballet Rodeo, or the Courting at Burnt Ranch.The ballet premiered October 16, 1942 at the former Metropolitan Opera House in New York City, Broadway and West 39th Street.

  3. ReCent and Future productions of De Mille Works. Many of Agnes de Mille’s ballets continue to be performed by ballet companies around the world. De Mille’s musical theater works are also performed either within the full productions of the musicals or as “suites” on mixed programs by dance companies.

  4. The famed choreographer, director, and dancer tells the story of her career through an in-depth interview with Dick Cavett.Explore the Kennedy Center Honors ...

    • 79 min
    • 2.6K
    • The Kennedy Center
  5. 18 de sept. de 2020 · This video footage was commissioned and compiled by The Rodgers & Hammerstein Organization to explore Agnes de Mille’s groundbreaking choreography created fo...

    • 2 min
    • 13.5K
    • Rodgers & Hammerstein
  6. De Mille revolucionó'l teatru musical creando una coreografía que non solo daba respaldu a les dimensiones emocionales de los personaxes si non que pasaba por ser parte integral del argumentu. En 1953, De Mille fundó'l Agnes de Mille Dance Theatre, que darréu tuvo la so continuidá nel Heritage Dance Theatre.

  7. newsroom.ucla.edu › magazine › agnes-de-mille-alumnaDancing by Herself | UCLA

    12 de jun. de 2023 · Dancing by Herself. At UCLA, Agnes de Mille found the creative force that would make her one of the most esteemed choreographers in history. By Michael Callahan. June 12, 2023. S tarched and exacting, she carried the efficacious demeanor of Madame Giry, the formidable choreographer of the corps de ballet in the musical The Phantom of the Opera.