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  1. 29 de ene. de 2021 · In the 1960s, Antonioni commissioned Dante Bini to create a unique Sardinia villa, based on the original “Binishell” concept. La cupola was built by inflating a balloon underneath raw concrete, shaping it into a self-supporting half-sphere. The director was an active collaborator and infused the project with rich imagination.

  2. Michelangelo Antonioni, Italian film director, cinematographer, and producer noted for his avoidance of realistic narrative in favor of character study and a vaguely metaphorical series of incidents. His major films included Le amiche (1955), L’avventura (1960), L’eclisse (1962), and Blow-Up (1966).

  3. Michelangelo Antonioni (Ferrara, 29 de setembro de 1912 — Roma, 30 de julho de 2007) foi um cineasta italiano. Graduou-se em economia na Universidade de Bolonha . Chegando a Roma em 1940 estudou no Centro Sperimentale di Cinematografia na Cinecittà , onde conheceu alguns dos artistas com quem acabou cooperando nos anos futuros; entre eles Roberto Rossellini .

  4. Sito italiano dedicato a Michelangelo Antonioni, biografia, film, cortometraggi, documentari, approfondimenti, critica, premi e tutto quanto possa esaltare l'arte del grandissimo regista.

  5. Michelangelo Antonioni. Michelangelo Antonioni [mikeˈland͡ʒelo antoˈɲoːni] 1 est un réalisateur, scénariste, monteur, producteur de cinéma, peintre, poète et écrivain italien né le 29 septembre 1912 à Ferrare en Émilie-Romagne 2 et mort le 30 juillet 2007 à Rome 2, 3 . Auteur de référence du cinéma moderne dès ses débuts en ...

  6. www.archivioantonioni.it › enArchivio Antonioni

    Browse the Archive. The Michelangelo Antonioni Archive contains materials relating to the intellectual, aesthetic and emotional world of the director and make it possible to explore his cinema and, more generally, all his broader professional activities, including his critical, literary and artistic work.

  7. 21 de may. de 2002 · filmography. bibliography. articles in Senses. web resources. The films of Michelangelo Antonioni are aesthetically complex – critically stimulating though elusive in meaning. They are ambiguous works that pose difficult questions and resist simple conclusions. Classical narrative causalities are dissolved in favour of expressive abstraction.

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