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Lattuada’s view of Italy and its lovely inhabitants on the eve of the economic boom is not exactly flattering. La spiaggia anticipates the vitriolic spite that will animate the best comedies of the late 50s and 60s (Mario Monicelli, Dino Risi), and singlehandedly buries the neorealist sanctimony that plagued Italian cinema after the war along with its pretense of virtue.
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5 de jul. de 2005 · Aquí nos gustaría mostrarte una descripción, pero el sitio web que estás mirando no lo permite.
“Lattuada is not an author of comedies all’italiana, and perhaps precisely for that reason he has given the genre some of its most important titles.” These words of Gianni Volpi, certainly the most acute commentator on the Milanese director Alberto Lattuada, who died last year, help us to understand the reasons for his greatness, but also for the rather restrained appreciation accorded ...
As part of their April-May program la Cinémathèque québécoise featured a mini-retrospective of one of Italy’s oldest living directors, Alberto Lattuada (born, 1914). The nine films selected span a good portion of Lattuada’s long career, the earliest being Il Bandito (1946), and the latest Sono stato io! (1973).
Ivo Perilli, Alberto Lattuada. Novela: Alexander Pushkin. Aventuras. Romance | Siglo XVIII. Drama de época. En la época de esplendor de la Rusia zarista, las revueltas populares se suceden en contra de la tiranía que ejercen los dirigentes de un país sumido, en buena parte, en la pobreza en las zonas más humildes.
ALBERTO LATTUADA Italy, 1978. A much-missed Ennio Morricone composed the score to this steamy Spanish-Italian sex film, starring a world-weary Marcello Mastroianni and a young Nastassja Kinski at the height of her charms. A cult erotic drama about incest, age gaps, and absent father figures that’s very much of its time!
